A Quote by Gustav Mahler
In the theatrical works we love and admire the most, the ending of the drama generally takes place offstage.
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There's not a lot of room anymore for what I call 'made-up' drama. The drama comes from real places now - marriage takes work and focus, the kid stuff takes patience and commitment. And if you don't grow as people and as a couple, within all of that, then you've got some real drama.
The drama may be called that part of theatrical art which lends itself most readily to intellectual discussion: what is left is theater.
I wake up everyday and try to be the best husband, father and entertainer I can be. I'm no different offstage or talking to you or onstage than I am going to dinner with my family. It's all the same place and I apply the same values to all I do. It works for me.
I like drama. I love being in a drama where I get to be the funny guy. That's what I really love the most.
The ending has to fit. The ending has to matter, and make sense. I could care less about whether it's happy or sad or atomic. The ending is the place where you go, “Aha. Of course. That's right.”
I think probably everybody works most on the beginning and the ending.
It was the last that remained of a past whose annihilation had not taken place because it was still in a process of annihilation, consuming itself from within, ending at every moment but never ending its ending.
Onstage, it was always comfortable for me, because that's where I felt at home. Offstage, it was a different situation. I was still shy offstage.
I'm a rock singer, but I love soul, I love blues, and I love theatrical stuff, too, like theatrical rock like Queen and Meat Loaf.
Life works most perfectly when a reciprocal love relationship is in place between man and God.
Opera is a very stimulating place to work, and I believe it offers the most intense theatrical experience possible.
I couldn't afford to go to drama school in London. Then I met with the Royal Scottish Academy of Music and Drama in Glasgow, and I fell in love with the city. It was one of the few schools that offered me a place. It didn't do me any harm.
Cursed be he above all others Who's enslaved by love of money. Money takes the place of brothers, Money takes the place of parents, Money brings us war and slaughter.
We have to admire the world for not ending on us.
Generally speaking, that's good drama - the marriage plot or the tragedy - but the reality of women's lives is that most of us don't get what we wanted, and most of us find ways to have really interesting lives anyway.
I'm trying to write poems that involve beginning at a known place, and ending up at a slightly different place. I'm trying to take a little journey from one place to another, and it's usually from a realistic place, to a place in the imagination.
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