A Quote by Gustav Mahler

In its beginnings, music was merely chamber music, meant to be listened to in a small space by a small audience. — © Gustav Mahler
In its beginnings, music was merely chamber music, meant to be listened to in a small space by a small audience.
I started directing chamber orchestras, then adding bigger pieces, adding winds, adding small symphonies. I've always loved chamber music, and I've done a lot.
I would tell your generation, wherever you are on the totem poll - whether you're halfway there or at the bottom, don't despise small beginnings; small beginnings get you ready for great things.
Most experiences are either sensual or intellectual. Chamber music, played by a small group so the listener can follow what each player is doing, is both.
I didn't have musical upbringing. I never listened to music growing up, thinking "I want to make my own music". I just listened to music for pleasure.
The biggest lesson to me is that I got the music from somewhere else - the notes, the music my parents listened to, and the stuff I listened to at every age. All of that inspired the music that I made.
Growing up, I listened and was influenced by a lot of those around me. I have a big family, and my dad listened to '80s music, my mom listened to Motown, my brother listened to reggae, and my granddad was the one that got me into jazz and swing music.
When I fifteen or sixteen and was in London, moving from a small town and now going to a big city, I discovered so much new music. Finding all of that music and being inspired that much all at once, that was the benefit of being from a small place.
We have to go and show these people what classical music is. We say sometimes that classical music has a small audience, but it's because people don't have the chance to be closer to it.
A poem compresses much in a small space and adds music, thus heightening its meaning. The city is like poetry: it compresses all life, all races and breeds, into a small island and adds music and the accompaniment of internal engines. The island of Manhattan is without any doubt the greatest human concentrate on earth, the poem whose magic is comprehensible to millions of permanent residents but whose full meaning will always remain elusive.
There is a black folk music audience. They're just very small.
My training in music has been very eclectic - as first a flute player from classical chamber music to jazz, Greek, Brazilian and African music to contemporary concert music.
The chamber music repertoire is so vast that if one is genuinely curious about music, the art of listening, understanding and responding to a score, the elementary skills and requirements of chamber works are easily applicable to that of any solo playing.
Basically, as a kid I grew up to a lot of good music, and part of my appreciation for music, from being a small child, was appreciating Jamaican music.
In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault.
I'd rather lose the small part of the audience that is going to be insulted because a documentary shouldn't have music than the big part of the audience that kind of gives itself over to the scene.
A poem compresses much in a small space and adds music, thus heightening its meaning.
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