A Quote by Gustav Mahler
To judge a composer's work, one must consider it as a whole.
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A public man has no right to let his actions be determined by particular interests. He does the same thing as a judge who accepts a bribe. Like a judge he must consider what is right, not what is advantageous to a party or class.
We need to be open minded to understand that there are lots of different levels of things going on and we shouldn't be so quick to judge - and certainly not to judge a whole race, a whole religion or a whole people - and a lot of that is going on.
Any composer who is gloriously conscious that he is a composer must believe that he receives his inspiration from a source higher than himself.
The judge's authority depends upon the assumption that he speaks with the mouth of others. That is to say, the momentum of his utterances must be greater than any which his personal reputation and character can command, if it is to do the work assigned to it - if it is to stand against the passionate resentments arising out of the interests he must frustrate - for while a judge must discover some composition with the dominant trends of his times, he must preserve his authority by cloaking himself in the majesty of an overshadowing past.
When we play music we describe the echo the tableau of natural forms, their shapes and arrangements, as uncovered by the composer's imagination, which yet must be filtered through our own. There is no other way. And in acknowledging this tableau, this revelation, we must "hesitate", we must doubt, as the composer doubted, for no valid creation can issue unscarred by doubt, by that vast flux of wonder which precedes the construction of being.
An actor and a [theatre] director are both what I would call interpreters of work. We interpret a work, just as a musician will interpret a composer's work, we interpret the work of a playwright. We are servants of the theatre and I've always believed that. We must serve what has been written, that's what we're there for.
If a composer could state in words what being a composer means, he would no longer need to be a composer.
It is not for me to judge another man's life. I must judge, I must choose, I must spurn, purely for myself. For myself, alone.
Louie Bellson represents the epitome of musical talent. His ability to cover the whole musical spectrum from an elite percussionist to a very gifted composer and arranger never ceases to amaze me. I consider him one of the musical giants of our age.
I consider myself a composer.
The real composer thinks about his work the whole time; he is not always conscious of this, but he is aware of it later when he suddenly knows what he will do.
One is necessary, one is a piece of fate, one belongs to the whole, one is the whole - there exists nothing which could judge, measure, compare, condemn our being, for that would be to judge, measure, compare, condemn the whole...But nothing exists apart from the whole!
Sometimes the personality or just the particular process of a director can really affect your quality of life as a composer in terms of how much time you spend away from your family or the amount of time you spend doing the type of work that you maybe don't consider as fun to do as other type of work.
It's really been enlightening for me to work with composers because I used to think that everything in the music was exactly what the composer meant. Well, it's what the composer meant in that moment when they wrote it.
I must judge for myself, but how can I judge, how can any man judge, unless his mind has been opened and enlarged by reading.
I certainly would not vote against a particular judge already in office because of a decision in a case. You may not agree with a judge's decision, but the judge must act within the law.
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