A Quote by Gustave Courbet
I have never seen either angels or goddesses, so I am not interested in painting them.
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I am only interested in painting the actual person, in doing a painting of them, not in using them to some ulterior end of art. For me, to use someone doing something not native to them would be wrong.
I'm never interested in the painting being a mirror to culture. I think that's really boring. What I'm interested in is painting as an affective space. The place where the hierarchies of the world can be rearranged within the space of a painting. And they can be articulated in different ways.
I never read reviews - I never have. I've never read message boards, either. I'm just not interested in it in any way - I'm not interested in it inflating my ego, and I'm not interested in it improving my self-worth. So, I don't read them.
I'm not interested in painting; I'm not interested in making a picture. Then what the hell am I interested in? I must be interested in this process.
I wasn't interested in sport or anything obvious, so I didn't stand out. I was interested in music, but I couldn't read music, so I wasn't allowed to do the GCSE. I was interested in painting, but no one's interested in a 16-year-old boy who's interested in painting. I wanted to get out of school very, very quickly.
People might say, What's so great about the Arctic Monkeys? I've never even seen them. Well, you've never seen God either. You're gonna tell me he's not awesome?
Where there are problems, there are angels hovering about just waiting for us to ask them to help us transform our suffering into blessings. I'm not being religious, I'm telling you the truth as I have experienced it. ... And I'm not being trendy either. I was talking to angels long before they got fashionable. ... So maybe you don't believe in angels, that's all right, they don't care. They're not like Tinkerbell, you know, they don't depend on your faith to exist. A lot of people didn't believe the earth was round either, but that didn't make it any flatter.
I've workshopped Medea where I have goddesses, and I'm naked onstage and painted gold, and talking in tongues, and the goddesses come and dress me, and Hecate arrives and fills me with the power to go kill the children so I can send them to the afterlife and do this for all women. They've never done a Medea like that. They're cheating themselves by not letting me do these roles.
Angels light the way. Angels do not begrudge anyone anything, angels do not tear down, angels do not compete, angels do not constrict their hearts, angels do not fear. That's why they sing and that's how they fly. We, of course, are only angels in disguise.
I have never stormed off over money or contracts. I am paid quite well by 'Top Gear.' I am pretty happy, and I have never seen Richard Hammond storm off, either.
My wife is very interested in fashion. I am absolutely not. I couldn't give a toss. Fashion is a perfectly valid thing to be interested in. I'm just not particularly interested in pop culture. I think I am more interested in things that have a settled permanence about them.
I'm not particularly interested in painting, per se. I'm interested in a painting that has that mysterious life to it. Anything that doesn't partake of that magic is halfway dead - it returns to its physical elements, it's just paint and canvas.
I am never in a hurry to reach details. First and above all I am interested in the large masses and the general character of a picture; when these are well established, then I try for subtleties of form and color. I rework the painting constantly and freely, and without any systematic method.
I have never seen a beautiful painting of a beautiful woman. But you can take an ugly woman and make a beautiful painting of her. It is the painting itself that should be beautiful.
Usually when you meet with a director, just meeting them after you've seen something you're interested in, they say, "Oh I'd love to work together," and sometimes you never hear from them again.
I have never painted a self-portrait. I am less interested in myself as a subject for a painting than I am in other people, above all women... There is nothing special about me. I am a painter who paints day after day from morning to night... Who ever wants to know something about me... ought to look carefully at my pictures.
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