A Quote by Gustave Flaubert
The public wants work which flatters its illusions.
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The only cure for loss of illusions is fresh illusions, more illusions, and always illusions.
The master and the student on the journey to mastery, knows that the illusions are the illusions, decides why they are there, and then consciously creates what will be experienced next within the self through the illusions. When facing any life experience, there is a formula, a process, through which you may choose to move through mastery. Simply make the following statements: One, nothing in my world is real. Two, The meaning of everything is the meaning I give it. Three, I am who I say I am, and my experience is what I say it is. This is how to work with the illusions of life.
We work for the public, and I believe that if a senator wants to block a piece of legislation or a nominee, they owe the public an explanation.
Right now, scientists are in exactly the same position as Renaissance painters, commissioned to make the portrait the patron wants done, And if they are smart, they'll make sure their work subtly flatters the patron. Not overtly. Subtly.
Jesus told his followers not to pray in the public square 'as the hypocrites' do, but rather 'enter into thy closet, and when thou has shut thy door, pray to thy Father which is in secret,' Mr. DeLay not only wants to pray in public, he wants C-SPAN and the nightly news to cover it!
A man who first tried to guess 'what the public wants,' and then preached that as Christianity because the public wants it, would be a pretty mixture of fool and knave
What then is truth? A movable host of metaphors, metonymies, and anthropomorphisms: in short, a sum of human relations which have been poetically and rhetorically intensified, transferred, and embellished, and which, after long usage, seem to a people to be fixed, canonical, and binding. Truths are illusions which we have forgotten are illusions — they are metaphors that have become worn out and have been drained of sensuous force.
A fool flatters himself, a wise man flatters the fool.
Civilised life, you know, is based on a huge number of illusions in which we all collaborate willingly. The trouble is we forget after a while that they are illusions and we are deeply shocked when reality is torn down around us.
truths are illusions of which one has forgotten that they are illusions, metaphors that have become worn-out and deprived of their sensuous force, coins that have lost their imprint and are now no longer seen as coins but as metal.
No film should try to follow a trend, and do what film people think the public wants. There's no such thing as knowing what the public wants.
Truth is a mobile army of metaphors, metonyms, anthropomorphisms, in short a sum of human relations which have been subjected to poetic and rhetorical intensification, translation and decoration […]; truths are illusions of which we have forgotten that they are illusions, metaphors which have become worn by frequent use and have lost all sensuous vigour […]. Yet we still do not know where the drive to truth comes from, for so far we have only heard about the obligation to be truthful which society imposes in order to exist" from, "On Truth and Lying in a Non-Moral Sense".
Which suggests something about media and war: it's not just that events happen and the media documents and presents them. There is a third element: what the public is ready to accept, what the public wants to know.
Having always observed that public works are much less advantageously managed than the same are by private hands, I have thought it better for the public to go to market for whatever it wants which is to be found there; for there competition brings it down to the minimum value.
There is no applause that so flatters a man as that which he wrings from unwilling throats.
There's another weight of us being in the public eye, which is this presumption that, because your work and your promotion work is very public, your private life should be, too.
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