A Quote by Gustave Flaubert

As for the piano, the faster her fingers flew over it, the more he marveled. She struck the keys with aplomb and ran from one end of the keyboard to the other without a stop.
Finally getting control of myself, I kissed her again, then brought my hand to her face, gently running my fingers over her cheek. I marveled at the softness of her skin, the gentleness I saw in her eyes. Even now she was perfect.
Yet losing him seemed unbearable. He was the one she loved, the one she would always love, and as he leaned in to kiss her, she gave herself over to him. While he held her close, she ran her hands over his shoulders and back, feeling the strength in his arms. She knew he’d wanted more in their relationship than she’d been willing to offer, but here and now, she suddenly knew she had no other choice. There was only this moment, and it was theirs.
Cath ran her fingers along the cover, over the raised gold type. Then someone else ran right into her, pushing the book into Cath's chest. Pushing two books into her chest. Cath looked up just as Wren threw an arm around her. "They're both crying," Cath heard Reagan say. "I can't even watch." Cath freed an arm to wrap around her sister. "I can't believe it's really over," she whispered. Wren held her tight and shook her head. She really was crying, too. "Don't be so melodramatic, Cath," Wren laughed hoarsely. "It's never over... It's Simon.
She lay on her back and walked her fingers down her ribs, skipped them over her abdomen, and landed on her pelvic bones. She tapped them with her Knuckles. [. . .] I can hear my bones, she thought. Her fingers moved up from her pelvic bones to her waist. The elastic of her underpants barely touched the center of her abdomen. The bridge is almost finished, she thought. The elastic hung loosely around each thigh. More progress. She put her knees together and raised them in the air. No matter how tightly she pressed them together, her thighs did not touch.
Rosa Hubermann was sitting on the edge of the bed with her husband's accordion tied to her chest. Her fingers hovered above the keys. She did not move. She didn't ever appear to be breathing.
Pearl rolled a tiny pink speck in her fingers, possibly part of Rose's new leg that I'd tried so hard to make a good match. Pearl laughed and flicked it away as if it was snot out of her nose. I suddenly couldn't stand it. I rushed at her.She saw I wasn't playing around. She ran for it but I caught up with her along the landing. I punched her hard in the chest and she staggered back wards - back and back, and then she wobbled and went right over, down the stairs.
Kessa ran her fingers over her stomach. Flat. But was it flat enough? Not quite. She still had some way to go. Just to be safe, she told herself. Still, it was nice the way her pelvic bones rose like sharp hills on either side of her stomach. I love bones. Bones are beautiful.
Matt's brother and the blond cook spent a good portion of last season tangling the sheets. Historically, said cook tangled many other sheets with dexterity and aplomb." "Aplomb" "It's a polite way to say she banged often, well and without too much discrimination." "That also sounded polite." "I was raised well.
For me, the keyboard is always an additional sound to the piano. Piano is the main instrument; I can't go anywhere without acoustic piano. It's been my best friend since I was 6 years old.
She could've looked at the tiny miracles in front of her: my feet, my hands, my fingers, the shape of my shoulders beneath my jacket, my human body, but she only stared at my eyes. The wind whipped again, through the trees, but it had no force, no power over me. The cold bit at my fingers, but they stayed fingers. "Grace," I said, very softly. "Say something." "Sam," she said, and I crushed her to me.
My fingers traced the melody on an invisible keyboard—my usual way to connect with the music, to feel its emotions on my fingertips. I touched the keys softly, as if gliding my hands through water, but the musical notes kept slipping between my fingers like bubbles, waltzing away in the blue radiance.
The front door flew open, and Mary shot out of the house, jumping off the porch, not even bothering with the steps to the ground. She ran over the frost-laden grass in her bare feet and threw herself at him, grabbing on to his neck with both arms. She held him so tightly his spine cracked. She was sobbing. Bawling. Crying so hard her whole body was shaking. He didn't ask any questions, just wrapped himself around her. I'm not okay," she said hoarsely between breaths. "Rhage...I'm not okay.
For hours she danced and sang and flirted and did this thing that's-she did Marilyn Monroe. And then there was the inevitable drop. And when the night was over and the white wine was over and the dancing was over, she sat in the corner like a child, with everything gone. I saw her sitting quietly without expression on her face, and I walked towards her but I wouldn't photograph her without her knowledge of it. And as I came with the camera, I saw that she was not saying no.
Her thoughts ran away to her girlhood with its passionate longing for adventure and she remembered the arms of men that had held her when adventure was a possible thing for her. Particularly she remembered one who had for a time been her lover and who in the moment of his passion had cried out to her more than a hundred times, saying the same words madly over and over: "You dear! You dear! You lovely dear!" The words, she thought, expressed something she would have liked to have achieved in life.
She just wanted to be comfortable in her own skin...But she would not stop to seek others' approval. The notion that she should never seemed to enter her head. Her right to live as she pleased was not up for negotiation, even if it ran against the grain of the milieu at Huntingdon.
I took a few piano lessons as a kid, but it didn't last; I just learned piano from doing it over and over on my own, because I didn't have many friends, and there was always a keyboard in the house.
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