A Quote by Gustave Flaubert
The citadel of Machaerus rose east of the Dead Sea on a basalt Peak shaped like a cone, girdled by four deep valleys; two about its sides, one in front, and the fourth behind.
Related Quotes
In writing a novel, the writer must be able to identify emotionally and intellectually with two or three or four contradicting perspectives and give each of them very a convincing voice. It's like playing tennis with yourself and you have to be on both sides of the yard. You have to be on both sides, or all sides if there are more than two sides.
For many years I saw the world as two sides: east and west, two powers. And I was trying to search what is white, what is black. Both sides wanted me.
There's always a hunger, when you're young, to go from peak to peak and avoid the valleys.
If Jesus rose from the dead, then you have to accept all that he said; if he didn't rise from the dead, then why worry about any of what he said? The issue on which everything hangs is not whether or not you like his teaching but whether or not he rose from the dead.
D.H. Lawrence, I think, defined the difference between writing an article and writing a novel very well. He said, in writing a novel, the writer must be able to identify emotionally and intellectually with two or three or four contradicting perspectives and give each of them very a convincing voice. It's like playing tennis with yourself and you have to be on both sides of the yard. You have to be on both sides, or all sides if there are more than two sides.
By the shores of Gitchee Gumee,
By the shining Big-Sea-Water,
Stood the wigwam of Nokomis,
Daughter of the Moon, Nokomis,
Dark behind it rose the forest,
Rose the black and gloomy pine-trees,
Rose the firs with cones upon them;
Bright before it beat the water,
Beat the clear and sunny water,
Beat the shining Big-Sea-Water.
In front of us lay a smooth sandy beach, beyond which rose gradually a high wooded country, and behind us was the sea, studded with numerous islands of every variety of form.
The daily disappearance and the subsequent rise of the sun appeared to many of the ancients as a true resurrection; thus, while the east came to be regarded as the source of light and warmth, happiness and glory, the west was associated with darkness and chill, decay and death. This led to the custom of burying the dead so as to face the east when they rose again, and of building temples and shrines with an opening toward the east. To effect this, Vitruvius, two thousand years ago, gave precise rules, which are still followed by Christian architects.
We are in a position similar to that of a mountaineer who is wandering over uncharted spaces, and never knows whether behind the peak which he sees in front of him and which he tries to scale there may not be another peak still beyond and higher up.
Live and lie reclined On the hills like Gods together, careless of mankind. For they lie beside their nectar, and the bolts are hurled Far below them in the valleys, and the clouds are lightly curled Round their golden houses, girdled with the gleaming world.
I've described my usual writing process as scrambling from peak to peak on inspiration through foggy valleys of despised logic. Inspiration is better when you can get it.
One could think of a person who seems to have two opposing and contradictory sides to his personality; but it turns out that in the end the two sides are complementary. The same happens with an artist's work: deep down, what appear as contradictory sides are merely different registers, different aspects of the reality that the artist inhabits
Redwoods flourish in fog, but they don't like salt air. They tend to appear in valleys that are just out of sight of the sea. In their relationship with the sea, redwoods are like cats that long to be stroked but are shy to the touch.
I do think there will be a better understanding between the two sides - East and West. And eventually, the so-called two sides will disappear, and there will only be the conflict between those with power and those without it.
The Sea of Galilee and the Dead Sea are made of the same water. It flows down, clean and cool, from the heights of Herman and the roots of the cedars of Lebanon. the Sea of Galilee makes beauty of it, the Sea of Galilee has an outlet. It gets to give. It gathers in its riches that it may pour them out again to fertilize the Jordan plain. But the Dead Sea with the same water makes horror. For the Dead Sea has no outlet. It gets to keep.
Cubism is not a reality you can take in your hand. It's more like a perfume, in front of you, behind you, to the sides, the scent is everywhere but you don’t quite know where it comes from.
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