A Quote by Gustave Flaubert
You can calculate the worth of a man by the number of his enemies, and the importance of a work of art by the harm that is spoken of it.
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'Conservation' (the conservation law) means this ... that there is a number, which you can calculate, at one moment-and as nature undergoes its multitude of changes, this number doesn't change. That is, if you calculate again, this quantity, it'll be the same as it was before. An example is the conservation of energy: there's a quantity that you can calculate according to a certain rule, and it comes out the same answer after, no matter what happens, happens.
Good work is no done by "humble" men. It is one of the first duties of a professor, for example, in any subject, to exaggerate a little both the importance of his subject and his own importance in it. A man who is always asking "Is what I do worth while?" and "Am I the right person to do it?" will always be ineffective himself and a discouragement to others. He must shut his eyes a little and think a little more of his subject and himself than they deserve. This is not too difficult: it is harder not to make his subject and himself ridiculous by shutting his eyes too tightly.
If God thinks this state of war in the universe is a price worth paying for free will--that is, for making a live world in which creatures can do real good or harm and something of real importance of real importance can happen, instead of a toy world which only moves when He pulls the strings--then we may take it it is worth paying.
I've always liked this idea that writing should comfort the afflicted, and afflict the comfortable to create trouble. The value of a work of art can be measured by the harm spoken of it. If you're not feeling that, then absolutely, why bother?
Who can calculate the wounds inflicted, their depth and pain, by harsh and mean words spoken in anger? How pitiful a sight is a man who is strong in many ways but who loses all control of himself when some little thing, usually of no significant consequence, disturbs his equanimity.
No poet will ever take the written word as a substitute for the spoken word; he knows that it is on the spoken word, and the spoken word only, that his art is founded.
There should be a law that no ordinary newspaper should be allowed to write about art. The harm they do by their foolish and random writing it would be impossible to overestimate--not to the artist but to the public.... Without them we would judge a man simply by his work; but at present the newspapers are trying hard to induce the public to judge a sculptor, for instance, never by his statues but by the way he treats his wife; a painter by the amount of his income and a poet by the colour of his necktie.
The writer's only responsibility is to his art...If a writer has to rob his mother, he will not hesitate; the 'Ode on a Grecian Urn' is worth any number of old ladies.
Although I do not care for the slogan "art for art's sake", there can be no question that what makes a work of fiction safe from larvae and rust is not its social importance but its art, only its art.
Cookery is a wholly unselfish art: as 'art for art's sake' it is unthinkable. A man may sing in his bath every morning without the least encouragement, but no cook can cook just for his or her own sake in a like manner. All good cooks, like all great artists, must have an audience worth cooking for.
Poor is the man who does not know his own intrinsic worth and tends to measure everything by relative value. A man of financial wealth who values himself by his financial net worth is poorer than a poor man who values himself by his intrinsic self worth.
What is the importance of human lives? Is it their continuing alive for so many years like animals in a menagerie? The value of a man cannot be judged by the number of diseases from which he escapes. The value of a man is in his human qualities: in his character, in his conscience, in the nobility and magnanimity, of his soul. Torturing animals to prolong human life has separated science from the most important thing that life has produced - the human conscience.
A man's enemies have no power to harm him, if he is true to himself and loyal to God.
Nature is mighty. Art is mighty. Artifice is weak. For nature is the work of a mightier power than man. Art is the work of man under the guidance and inspiration of a mightier power. Artifice is the work of mere man, in the imbecility of his mimic understanding.
Do you know that I am afraid that good people do a great deal of harm in this world? Certainly the greatest harm they do is that they make badness of such extraordinary importance.
War is possible only if you have a lot of enemies. If all the enemies get together and form one front - if you cut down the number of enemies - there would be no war.
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