A Quote by Gustave Moreau

I am dominated by one thing, an irresistible, burning attraction towards the abstract. The expression of human feelings and the passions of man certainly interest me deeply, but I am less concerned with expressing the motions of the soul and mind than to render visible, so to speak, the inner flashes of intuition which have something divine in their apparent insignificance and reveal magic, even divine horizons, when they are transposed into the marvellous effects of pure plastic art.
I am dominated by one thing, an irresistible, burning attraction towards the abstract.
I do not pretend to be a divine man, but I do believe in divine guidance, divine power, and in the fulfillment of divine prophecy. I am not educated, nor am I an expert in any particular field but I am sincere, and my sincerity is my credentials.
It is indeed a matter of great difficulty to discover, and effectually to distinguish, the true motions of particular bodies from the apparent; because the parts of that immovable space, in which those motions are performed, do by no means come under the observation of our senses. Yet the thing is not altogether desperate; for we have some arguments to guide us, partly from the apparent motions, which are the differences of the true motions; partly from the forces, which are the causes and effects of the true motions.
War is thus divine in itself, since it is a law of the world. War is divine through its consequences of a supernatural nature which are as much general as particular. War is divine in the mysterious glory that surrounds it and in the no less inexplicable attraction that draws us to it. War is divine by the manner in which it breaks out.
There is something at work in my soul which I do not understand. I am practically industrious - painstaking, a workman to execute with perseverance and labour - but besides this there is a love for the marvellous, a belief in the marvellous, intertwined in all my projects, which hurries me out of the common pathways of men, even to the wild sea and unvisited regions I am about to explore.
My mind is a centre of Divine operation. The Divine operation is always for expansion and fuller expression, and this means the production of something beyond what has gone before, something entirely new, not included in past experience, though proceeding out of it by an orderly sequence of growth. Therefore, since the Divine cannot change its inherent nature, it must operate in the same manner in me; consequently in my own special world, of which I am the centre , it will move forward to produce new conditions, always in advance of any that have gone before.
The divine is God's concern; the human, man's. My concern is neither the divine nor the human, not the true, good, just, free, etc., but solely what is 'mine,' and it is not a general one, but is - 'unique,' as I am unique. Nothing is more to me than myself!
The divine is God's concern; the human, man's. My concern is neither the divine nor the human, not the true, good, just, free, etc., but solely what is mine, and it is not a general one, but is -- unique, as I am unique. Nothing is more to me than myself!
Gargoyles were the complement to saints; Leonardo's caricatures were complementary to his untiring search for ideal beauty. And gargoyles were the expression of all the passions, the animal forces, the Caliban gruntings and groanings which are left in human nature when the divine has been poured away. Leonardo was less concerned than his Gothic predecessors with the ethereal parts of our nature, and so his caricatures, in their expression of passionate energy, merge imperceptibly into the heroic.
I long to be filled with divine knowledge, divine wisdom, divine love, divine holiness, to the utmost extent of my capacity. I want to feel that all the currents of my soul are interfused in one channel deep and wide, and all flowing towards the heart of Christ.
I am seeking that dance which might be the divine expression of the human spirit through the medium of the body's movement.
In the mythic tradition, the Mountain is the bond between Earth and Sky. Its solitary summit reaches the sphere of eternity, and its base spreads out in manifold foothills into the world of mortals. It is the way by which man can raise himself to the divine and by which the divine can reveal itself to man.
The miracle of Bach has not appeared in any other art. To strip human nature until its divine attributes are made clear, to inform ordinary activities with spiritual fervour, to give wings of eternity to that which is most ephemeral; to make divine things human and human things divine; such is Bach, the greatest and purest moment in music of all time.
If we know the divine art of concentration, if we know the divine art of meditation, if we know the divine art of contemplation, easily and consciously we can unite the inner world and the outer world.
God can say to His believers, 'I am divine and human,' and His believers can reply, 'Praise You, Lord. You are divine and human, and we are human and divine.'
The world is not divine sport, it is divine destiny. There is a divine meaning of the world, of man, of human persons, of you and me.
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