A Quote by Gutzon Borglum
That is how America gets her art: Contracting firms get the contract and the honor. Starving artists do the work. The government pays for sculpturing thousands of dollars, of which the sculptor gets a hundred or so.
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When we took on the name The Drifters, we became the new Drifters, and signed a contract to be put on salary, which I think was like a hundred dollars a week, a piece, five hundred dollars for all five of us.
The Forgotten Man... works, he votes, generally he prays-but he always pays-yes, above all, he pays. He does not want an office; his name never gets into the newspaper except when he gets married or dies. He keeps production going on.... He does not frequent the grocery or talk politics at the tavern. Consequently, he is forgotten.... All the burdens fall on him, or on her, for it is time to remember that the Forgotten Man is not seldom a woman.
When I was writing my first novel a friend told me I should apply for a grant from the government that was offered to support starving artists. I can't tell you how much this deeply offended me. I told her in very clear language that I thought it was ridiculous to think that other Americans ought to pay for me to chase my dream. Anybody who understands pride and self-determination gets this. So I bartended at night, I wrote during the day, and I paid for my own damn insurance. I didn't expect anybody else to pick it up for me.
I'd like the people teaching my kids to be good enough that they could get a job at the company I work for, making a hundred thousand dollars a year. Why should they work at a school for thirty-five to forty thousand dollars if they could get a job here at a hundred thousand dollars a year?
One difference between French appeasement and American appeasement is that France pays ransom in cash and gets its hostages back while the United States pays ransom in arms and gets additional hostages taken.
Today when a man gets married he gets a home, a housekeeper, a cook, a cheering squad and another paycheck. When a woman marries, she gets a boarder. To define it rudely but not ineptly, engineering is the art of doing that well with one dollar, which any bungler can do with two after a fashion.
There are some very powerful contributions to knowledge in the scientific world or the legal world, but art is singular. That's why every dictator gets rid of the artists first. They burn the books and execute the artists first. Then they get on with whatever else they're interested in. Art might do something. It's dangerous.
I'm very tolerant of other art and other artists. But what I truly appreciate, what I truly admire in contemporary art, is work that takes on more than it can sometimes handle - art that gets in over its head.
In taking out an insurance policy one pays for it in dollars and cents, always at liberty to discontinue payments. If, however, womans premium is a husband, she pays for it with her name, her privacy, her self-respect, her very life, until death doth part.
There is a good deal of art that in some traditions of conceptual work are anti-affect, in fact a very large chunk of mainstream art after 1950 took against affect art altogether because they said, "No, we hate affect art because this is how we get manipulated by totalitarianism and therefore artists shouldn't play that game." And a lot of artists agreed to play that game, which I personally believe is to the loss of art.
As artists get wealthier and more famous, often their work gets worse... I'm fascinated by the decline of artists. I suspect I'll be in decline myself. It's a fact of life.
I would love to see more dialogue around the "responsibilities" of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?
When the government controls a limited supply, the government gets to decide who gets the vaccines and who doesn't. In some cases, who lives and who doesn't.
The price of Christmas toys is outrageous - a hundred dollars, two hundred dollars for video games for the youngsters. I remember a Christmas years ago when my son was a kid. I bought him a tank. It was about a hundred dollars, a lot of money in those days. It was the kind of tank you could actually get inside and ride in. He played in the box it came in. It taught me a very valuable lesson. Next year he got a box. And I got a hundred dollars' worth of scotch.
If the girl is good looking and talented, and for some reason the film doesn't work, she gets a second chance. But if subsequent films don't work, she gets branded as an 'iron leg.' The whole thing gets negative.
She gets a hundred for her body and a nickel for her soul.
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