A Quote by Gutzon Borglum

I have a very unsatisfactory and incomplete knowledge of Brooklyn and cannot discuss specifically either what you can do here or what possibilities the city shows in an artistic way. I am not a foreigner but coming here as I do after a long stay abroad, I think things here strike me much as they strike a foreigner.
A criminal may improve and become a decent member of society. A foreigner cannot improve. Once a foreigner, always a foreigner. There is no way out for him.
A foreigner is an individual who is considered either comic or sinister. When the victim of a disaster - preferably natural but sometimes political -the foreigner may also be pitied from a distance for a short period of time.
You think you're the foreigner here, and I'm the American, and I just look the other way while the President or somebody sends down this and that . . . to torture people with. But nobody asked my permission, okay? Sometimes I feel like I'm a foreigner, too.
In America, I'm a foreigner because of my Korean heritage. In Asia, because I was born in America, I'm a foreigner. I'm always a foreigner.
I am an Indian. In fact, I feel like a foreigner when I go abroad.
There was a gas strike, oil strike, lorry strike, bread strike, got to be a Superman to survive.
We are on strike, we, the men of the mind. We are on strike against self-immolation. We are on strike against the creed of unearned rewards and unrewarded duties. We are on strike against the dogma that the pursuit of one's happiness is evil. We are on strike against the doctrine that life is guilt.
You deal with failure - strike, strike, strike - all the time. Acting is like that. You have to have a very thick skin in a way - your hair is too dark, you're too ugly for the part, your audition wasn't good.
India is a place where one of the great pleasures for a foreigner is that you're constantly surprised. Everywhere you look is something that is either funny, or very moving, but there is always so much that is so unexpected.
I was never very interested in my own experience, I think, in fact, if my films have a common link, maybe it's being a foreigner - it's common for people who are born abroad - they don't know so well where they belong.
My first and only experience in baseball, the coach signed me up; he didn't tell me there's a thing called the curveball. I didn't know that. So the ball's coming at me and I start backing out, and then it broke inside. And the umpire says, 'Strike one!' And I'm saying, 'How is that a strike? It almost hit me!'
I am very much aware of the visual side of things. I do a lot of photography. I often take Polaroids of things that strike me as visually interesting, just to remember them and perhaps use later.
A serious flaw found by the Court in the IMDT Act was that it did not place the burden of proving his Indian citizenship on the person accused of being a foreigner, unlike in the Foreigner's Act.
To know whom to strike is competence; to know how to strike is skill; to know where and when to strike is art; to know why to strike is victory.
When I was little, I didn't really travel - from the suburbs to Paris was already a journey. I had a foreigner's eye on the city, and I still enjoy that point of view. Then there's the fact that one of the things that touches me most is injustice.
India is a place where one of the great pleasures for a foreigner is that you're constantly surprised. Everywhere you look is something that is either funny, or very moving, but there is always so much that is so unexpected. That's part of the reason why people who like it tend to love it.
This site uses cookies to ensure you get the best experience. More info...
Got it!