A Quote by Guy Clark

It was really amazing. I mean, he'd never mentioned that he played in the symphony, like serious violin playing, not fiddle playing. And he just blew us away. — © Guy Clark
It was really amazing. I mean, he'd never mentioned that he played in the symphony, like serious violin playing, not fiddle playing. And he just blew us away.
I just started playing music on the street and walking around with a fiddle, and I think that's kind of when I started being serious - or as serious as it's going to get.
The darkness enveloped us. All I could hear was the violin and it was as if Juliek's soul had become the bow. He was playing his life...He played that which he would never play again.
I really like playing with Mike Doughty from Soul Coughing. He was cool. He opened up some shows for us. I liked playing with G. Love, he's amazing. God Damn, it was like the best live I had ever seen.
When I first started playing, I plunked away just like everyone else. During the Sixties I played in a blues band for a few years, and I liked it. It wasn't until I was playing for a while that I made the decision to change my style from a percussive to more of a legato approach. I just wanted a different sound.
I know that a translation of a work of literature is like playing a violin concerto on the piano. You can do this. You can do this very successfully on one strict condition: never try to force the piano to produce the sounds of the violin. This will be grotesque.
I've been lucky enough to have fulfilled so many ambitions, and gone way past anything I ever thought I would do. I could never have imagined the career that I've had with the Foo Fighters - playing stadiums and having songs on the radio. It's amazing, and my goal is really just to carry on playing.
The only downside to playing the violin is that you never know when you're going to be asked to play. I could be out to dinner or having a drink at a bar, and someone could just give me a violin, and I've got to be ready to play.
Those who refuse to play second fiddle may wind up playing no fiddle at all.
The men I've played are all respectful and gentlemen towards me. I've never really had a problem. In the past a lot of people would go: 'We're playing a woman.' But now they're thinking: 'We're playing a good player.'
You know, if you really want to fiddle the old-time way, you've got to learn the dance. The contra-dances, hoedowns. It's all in the rhythm of the bow. The great North Carolina fiddle player Tommy Jarrell said, 'If a feller can't bow, he'll never make a fiddler. He might make a violin player, but he'll never make no fiddler.'
My dad plays the fiddle. He stopped playing for years. He was playing when I was a baby, and then he stopped for about five years, or ten years, he says. Then all of a sudden he started playing again, and we all got interested. We started having people like Ciarán Tourish coming up to the house, and Dinny McLaughlin, who taught Ciarán, and who taught myself as well. And it just grew from that
I love Gustavo Dudamel and I love what he does for classical music, and I love what he comes out of, El Sistema and the old man Abreu. When we were in Venezuela, I had the chance to go to his building. He had, like, five or six orchestras playing of kids from the hood playing, like, Mahler's third symphony and Shostakovich fifth and Beethoven. Man, it's unbelievable. I mean, they could play.
I think my first impression (of Bix Beiderbecke) was the lasting one. I remember very clearly thinking, 'Where, what planet, did this guy come from? Is he from outer space?' I'd never heard anything like the way he played-not in Chicago, no place. The tone-he had this wonderful, ringing cornet tone. He could have played in a symphony orchestra with that tone. But also the intervals he played, the figures-whatever the hell he did. There was a refinement about his playing. You know, in those days I played a little trumpet, and I could play all the solos from his records, by heart.
I've been playing the viola since I was 6 years old, and then I decided to switch it up a bit, so I've been playing the violin since I was 11. I started playing the piano when I was 11, and I started playing the guitar when I was 10.
For me, science is just a bunch of tools - it's like playing the violin.
My mother playing the violin and my father and grandfather playing the piano, classical stuff.
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