A Quote by Guy Clark

Chris is the engineer down at the studio where we do these things. And he's just such an integral part and he has such a marvelous ear. Also it turns out, we didn't know, but he's a pretty good fiddle player.
I've known Shawn for several years. And he's just an amazing talent. He's a great writer, a marvelous, marvelous guitar player, and plays really good fiddle.
You gotta understand also that teenage kids just don't have the experience and the studio technique. I mean, in those days it wasn't electronic like it is today, where you can hit a drum and, you know, the engineer does it all. In those days, everything was live and you had to have decent sounds, and through the years you get to weed out what's bad and what's good.
Now, this one might be a little stringy, but then again, it's fiddle player." That isn't fiddle player, it's piccolo player." How can you tell?" It's PIPING hot!" Then blow on it first!
I love women who have a strong sense of themselves because I know I have a pretty good idea of what I want out of life and I like to be around other people who are also pretty secure. It just makes things easier.
I've been in a band, so I understand the politics. Sometimes the bass player doesn't like what the guitar player is doing, and you have to sort of even that out. But I've also always loved the technology part of it. I've always loved the studio part. Making albums. Besides writing songs, which has been my primary thing, making records would be second. Obviously, touring would be third. Touring wasn't my favorite thing to do, but the first few tours were pretty fun. Seeing the world and everything.
I know we're going to be connected for a long time, Kevin Durant and Greg Oden. He's a really, really good player. I'm a pretty decent player. So I hope things work out.
I would think that the drumstick is probably pretty good. Because you can put that anywhere. If you are a strong guy, you can put it in the throat, the nose, the mouth, the ear. It's also easily concealed. The guitar is pretty good, but you have to break it. And that's pretty difficult.
Chris Jericho is a great guy. He's beyond hysterical. He's good people. They're really good. Chris wanted me to throw down a solo. He sent it to me and I knocked it out.
See what I do is I book a studio that's closed down and I go by myself. No one's in there, literally just me and the engineer.
You know, if you really want to fiddle the old-time way, you've got to learn the dance. The contra-dances, hoedowns. It's all in the rhythm of the bow. The great North Carolina fiddle player Tommy Jarrell said, 'If a feller can't bow, he'll never make a fiddler. He might make a violin player, but he'll never make no fiddler.'
So for my studio purposes, I know that I'm in my studio with technicians who've done amazing things to my board and to my power amps and I know what I can deliver out of my studio.
I'm a recording studio guy, an engineer, a songwriter and a guitar player, in that order.
A contract player has to do what he's told, and play the parts others pick out for him. As far as the studio is concerned he's just part of the stable.
Yeah, I was a pretty good kid, you know, I was - I was- I was an overachiever and I worked very hard, played a hell of a fiddle.
When I get my music mixed, I'm actually in the studio with the engineer, every project I've ever put out. So it's supposed to always say mixed by whatever engineer I use and Dolph.
I think every basketball player I know loves ping pong. Everyone played in on the Dream Team. I played Clyde Drexler and Chris Mullin and even David Stern once. David Stern saw I was pretty good.
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