A Quote by Guy Davenport

Imagination is like the drunk man who lost his watch and must get drunk again to find it. — © Guy Davenport
Imagination is like the drunk man who lost his watch and must get drunk again to find it.
I am drunk, seest thou? When I am not drunk I do not talk. You have never heard me talk much. But an intelligent man is sometimes forced to be drunk to spend his time with fools.
I don't say that the drunk man is the real man, and the sober man merely a shell. But you find out something different about people when they're drunk. Of course, you sometimes find that they're not different at all--that you merely get more of the same, perhaps said rather more loudly and incoherently, but basically the same.
the only way to tolerate the thought of her mother sleeping with that man was to get drunk-very drunk.
I was walking downtown and the drunk tank stopped and picked me up... I was like, 'Wait a minute here fellas, there's a misunderstanding. I'm not drunk. I have cerebral palsy.' They were like, 'That's a pretty big word for a drunk.'
It is time to get drunk! So as not to be the martyred slaves of Time, get drunk; get drunk without stopping! On wine, on poetry, or on virtue, as you wish.
Please don't drive drunk, okay? Seriously... But by all means, walk drunk. That looks hilarious. Everyone loves to watch someone act like they are trying to make it to safety during a hurricane.
More free time means more time to waste. The worker who used to have only a little time in which to get drunk and beat his wife now has time to get drunk, beat his wife - and watch TV.
I had to be naked [in Vinyl], but I was almost more nervous about having to be drunk. The director wasn't going to yell, "Too big!," during the nude scene. For the drunk scene, you can be bad drunk or good drunk. We'll see. My wife was not happy, hearing about it.
I remember in one of my early films I had a drunk scene. It was Kiss Me Goodbye, with Sally Field, and I was playing this kind of nerdy guy who gets drunk and dances. And so I thought, "Oh well, I'll just get drunk and do the dance." And it was wonderful, but then I had the rest of the day, and the next day. So I learned that you don't really have to do the things that your character is doing. But us actors, we use something called sense memory. I've certainly been drunk before, and part of my job is to recall that without getting drunk.
Always be drunk ... Get drunk militantly. Just get drunk.
Don't think I'm talking nonsense because I'm drunk. I'm not a bit drunk. Brandy's all very well, but I need two bottles to make me drunk.
I used to drink, I did, I had to quit. Man, I was an embarrassing drunk. I'd get pulled over by the cops, I'd be so drunk I'd be out dancing to their lights thinking I'd made it to another club.
Of course we got drunk!" Semyon said. "It's okay to get drunk, Anton. If you need to real bad. Only you have to get drunk on vodka. Cognac and wine—that's all for the heart." "So what's vodka for?" "For the soul. If it's hurting real bad
Playing a drunk doesn't mean being a drunk, only bad actors try to be drunk. A real drunk tries to be sober, he wants another drink. How a character hides their feelings tells us who they are, no one shows their feelings except bad actors.
You have to be always drunk. That's all there is to it-it's the only way. So as not to feel the horrible burden of time that breaks your back and bends you to the earth, you have to be continually drunk. But on what? Wine, poetry or virtue, as you wish. But be drunk.
There's the really angry drunk, who's just annoying to be around. I prefer the drunk who falls all over the place and is being completely inappropriate. Or the super-loud, happy drunk, which is evidentially what I am.
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