A Quote by Guy Davenport
I am not writing for scholars or fellow critics, but for people who like to read, to look at pictures, and to know things.
Related Quotes
You know it has to do with Kelley and drugs, and me... and there's like, what is it? I didn't read it. That's my thing. That's what I do, I don't read things if I don't think they're going to be good. I don't even look at the pictures.
We're at an interesting phase of Asian and Asian-American writing, where we might succeed in having readers look at us as creative individuals who write with fury and fire about the world, and in new ways, without having them say things like "I read a really good Indian book," or "That Malaysian fellow writes very well." So I hope by identifying as Indian I can get people who don't usually read "ethnic" or "Indian" literature to read that literature and enjoy it.
I have a certain sensibility that I bring to my writing that comes from knowing two things: what I as a reader like to read, and what as a writer I am capable of. I know my own limits. I know there are things I cannot do.
My writing of fiction comes under a very general heading of those teachers, critics, scholars who like to try their own hand once or twice in their lives.
Being so pathetic, I don't read. I just ... do things - writing out interviews you can't read, on pictures of footprints and things like that. I kind of like the idea of nailing the thing down and not really showing too much about it. There's just so much you can take for collage nowadays.
the grim, grand African forests are like a great library, in which, so far, I can do little more than look at the pictures, although I am now busily learning the alphabet of their language, so that I may some day read what these pictures mean.
The critics have been writing me off for 20 years. That's nothing new. As far as I know I still have plenty of fans and sell lots of records. Do I care what critics say about me? No, and I don't read reviews.
I'm not sure Riot Grrrl would have been as big a deal if the Internet had existed back then. Because there's so much stuff on the Internet. People could have been like, oh, whatever, I'm going to go look at pictures of Barbie vaginas, you know what I mean? There's so many different things on the Internet, you read one article and then you read something linked off that article and you go down the rabbit hole.
I know I play into that image out there, but I try to say it is a fantasy. I look at my own pictures and wish I could look like that. There are probably five people in this whole entire world who actually look like that.
You gotta understand, you can't look at no pictures and look at the media and the critics and what they saying on no Internet.
You're writing for some version of yourself. You're writing the kinds of things that you like to read or wanted to read at a certain point. So, primarily for most of my career, I've written the kind of criticism that fascinates me. The things I discovered the things that get me going, that I'm excited about.
The second book, which was probably more from a professional standpoint - when I read Junot Díaz's Drown, I was like, Oh my god, you can write these stories and people will actually read them beyond your own little community. This guy's book is blowing up and it seems like [he's writing about] the neighborhood that I grew up in. That was a big deal. I read that in graduate school, so that's when I was really taking writing seriously, but I didn't know you could do it. I didn't know you can actually be an author. It was a weird epiphany.
I know I mispronounce things constantly, because maybe I read more than I talk, but I don't know the proper way to say a lot of things, even though I know what they are. But then I know I look like a moron.
I just try things. And the things I like, sometimes they work, and sometimes they don't. You can look at pictures where I just look terrible. But the older I get, the more I know what works. It's for the better.
When I travel with my kids abroad, I am not myself, but I'm more a father who wants to protect them. Sometimes, I am even aggressive about certain things and get surprised seeing myself like that: for instance, when people want to take pictures of them. I am fine if they want to take my pictures, but they are not public property.
I love this life. I feel like I am always catching my breath and saying, 'Oh! Will you look at that?' Photography has been my way of bearing witness to the joy I find in seeing the extraordinary in ordinary life. You don't look for pictures. Your pictures are looking for you.
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