A Quote by Guy Debord
In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into a representation.
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In societies where modern conditions of productions prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into representation. The images detached from every aspect of life fuse in a common stream in which the unity of this life can no longer be re-established. Reality considered partially unfolds, in its own general unity as a pseudo-world apart, an object of mere contemplation . . . The spectacle is not a collection of images, but a social relation among people, mediated by images.
All that was once directly lived has become mere representation.
All that once was directly lived has become mere representation.
I joined Norwich when I was 15 and moved away from a life living on an estate in Cardiff and everything I knew. I moved away from my girlfriend, who is my wife now, and my nan, who has now passed away. I missed a lot.
[T]he mass-man sees in the State an anonymous power, and feeling himself, like it, anonymous, he believes that the State is something of his own. Suppose that in the public life of a country some difficulty, conflict, or problem presents itself, the mass-man will tend to demand that the State intervene immediately and undertake a solution directly with its immense and unassailable resources. This is the gravest danger that to-day threatens civilisation: State intervention; the absorption of all spontaneous social effort by the State.
For when asceticism was carried out of monastic cells into everyday life, and began to dominate worldly morality, it did its part in building the tremendous cosmos of the modern economic order. This order is now bound to the technical and economic conditions of machine production which to-day determine the lives of all the individuals who are born into this mechanism, not only those directly concerned with economic acquisition, with irresistible force. Perhaps it will so determine them until the last ton of fossilized coal is burnt.
In authoritarian societies, control over the production, distribution, and circulation is generally in the hands of the government, or what might be termed traditional modes of political sovereignty. But in neoliberal societies, sovereignty is often in the hands of major corporations that now have power over not only the production of knowledge but also over the implementation of policies that bear down on matters of life and death, living and surviving.
The kind of support encouraged by such modes of expression has always arisen basically from confusing the fatherland itself with the social conditions which happened to prevail in it.
Architecture is life, or at least it is life itself taking form and therefore it is the truest record of life as it was lived in the world yesterday, as it is lived today or ever will be lived.
A photograph presents itself not only as a visual representation, but as evidence, more convincing than a painting because of the unimpeachable mechanical means whereby it was made. We do not trust the artist's flattering hand; but we do trust film, and shadows, and light.
I think it would be really fun to film a drama in a foreign country. If the opportunity presents itself, I want to film a Chinese production.
An economy oriented toward production for market exchange provides the optimal conditions for long-lasting and ever-expanding productive capacity based on modern technology.
We have to find a way to try and reconcile our beliefs - and Islam, like Judaism and Christianity, has traditionally seen homosexuality as a sin - with the reality of life in modern, pluralistic, secular societies in which gay people cannot be wished away or banished from sight.
How often, being moved under a false cause, if the person offending makes a good defense and presents us with a just excuse, are we angry against truth and innocence itself?
As individuals express their life, so they are. What they are, therefore, coincides with their production, both with what they produce and with how they produce. The nature of individuals thus depends on the material conditions determining their production.
Life's accumulation is more discouraging than life itself, when stirred up.
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