A Quote by Guy Gavriel Kay

I say 'as it were' or 'so to speak' too often because puns and double entendres keep insinuating themselves into my consciousness as I'm talking. — © Guy Gavriel Kay
I say 'as it were' or 'so to speak' too often because puns and double entendres keep insinuating themselves into my consciousness as I'm talking.
The two biggest hits (by Machito)... were about that enduring Cuban song topic-food: 'Sopa de pichn' [pigeon soup] and 'Paella'. If you think that all songs about food are double entendres for sex... Well, maybe all songs about food can be double entendres, but in many periods of Cuban history, for many people, food has been harder to get, and the subject of more fantasies, than sex.
A long time ago, you couldn't say what you mean in blues. You had to disguise it, and that's where the double entendres and humour comes from and that's where we come from.
Now the thing is not to get into unnecessary quarrels by talking too much and not to indicate any weakness by talking too much; let our actions speak for themselves.
I am always surprised when people read double entendres into my innocuous babble.
Very often pessimistic people speak against their own desire. They want to undertake some work, and they say, 'I will do this, but I don't think I shall succeed in it.' Thus they hinder themselves in their path. Man does not know that every thought makes an impression on the consciousness and on the rhythm with which the consciousness is working. According to that rhythm that reflection will come true and happen; and a man proves to be his own enemy by his ignorance of these things.
Women often try too hard to say what they think a man wants to hear, to like what he likes, to laugh at every joke, and get so nervous talking about themselves that nothing interesting comes out.
When alchemists were talking about turning lead to gold, they were talking about turning a leaden consciousness, which most of us exist in during our lives, into a golden consciousness, which is a much better place to be.
I think the humor of double puns is incredible.
The most important things to say are those which often I did not think necessary for me to say - because they were too obvious.
You can keep raising it, but at some point, everybody who believes in a minimum wage will say, "No, wait a minute. That's too much," and at that point, you have demonstrated that that there's no market relationship. You're just talking emotion. You're just talking "fairness." You're just talking being nice, and that's not how the market works. People aren't paid a wage because they're being nice to, or because it's fair. In the market, the market rules.
Intellectuals may like to think of themselves as people who "speak truth to power" but too often they are people who speak lies to gain power.
What you feel, what you desire and what you want is not what you are. You are a consciousness. Speak consciously and speak what your consciousness allows you to speak.
Let's say that what's out there is a narrative. Often enough, the picture plays with the question of what actually is happening. Almost the way puns function.
It is given to few persons to keep this secret well. Those who lay down rules too often break them, and the safest we are able to give is to listen much, to speak little, and to say nothing that that will ever give ground or regret.
I don't just like sexual double entendres I love them, I stroke them, I milk them, I spank them when they're naughty.
Let's say [Warren Beatty] wants you to speak louder in a scene. He won't stop playing the role and say to you as a director, "Will you speak louder on the next take?" He'll say it as Howard Hughes: "I can't totally hear you. Why don't you speak up a little bit?" To kind of keep this rhythm going.
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