A Quote by Guy Gavriel Kay

I've spent my whole literary career blurring boundaries between genres and categories. — © Guy Gavriel Kay
I've spent my whole literary career blurring boundaries between genres and categories.
I’ve always been uninterested in boundaries or quarantines between tastes and types, between mediums and genres.
Only when my 'Punktown'-based stories began seeing print did I demonstrate my proclivity for blurring the borders between horror, science fiction, and other genres.
Honestly, when you start talking about genres, you're talking as much about the business side of writing as anything else. Certainly there are elements of reader expectation that play into various genres, and those are important, but it also becomes about packaging, placement, audience....In the end, I'm not a fan of labels. I think the best fiction blurs the boundaries between genres, stretches and breaks them.
I'm now much more excited about genre distinctions. What I still see breaking down are more the hierarchical arrangements of genres. That is, "There is literary fiction, and then there are lesser genres." I'm much more clear on the idea that literary fiction is itself a genre. It is not above other genres. It is down there in the muck with all the other genres, and it's doing the wonderful things that it does, but to give it a Y-axis, to make it high and low, just seems absurd. I stand by that.
People who rarely read long books, or even short stories, still appreciate the greatest examples of the shortest literary genres. I have long been fascinated by these short genres. They seem to lie just where my heart is, somewhere between literature and philosophy.
The global view of cultures is part of my nature. I want to break down the walls between genres, categories, or cultures.
When we began Daft Punk, by the albums we made, by the interviews we did and by every opportunity we had we tried to break all the boundaries between musical genres.
It's really interesting to just look at the career of a musician and a producer that went into many different genres and many different styles and many different places but always breaking the barriers between genres and at some point reinventing himself all along the way but also inventing things at the same time.
I spent the first twenty years of my writing career preparing for the mystery genre, which is my favorite literary form.
I don’t believe in categories of any kind, and when you speak of problems between blacks and whites in the U.S.A. you are referring to categories again.
Eros is an issue of boundaries. He exists because certain boundaries do. In the interval between reach and grasp, between glance and counterglance, between ‘I love you’ and ‘I love you too,’ the absent presence of desire comes alive. But the boundaries of time and glance and I love you are only aftershocks of the main, inevitable boundary that creates Eros: the boundary of flesh and self between you and me. And it is only, suddenly, at the moment when I would dissolve that boundary, I realize I never can.
You need boundaries... Even in our material creations, boundaries mark the most beautiful of places, between the ocean and the shore, between the mountains and the plains, where the canyon meets the river.
Literary critics, however, frequently suffer from a curious belief that every author longs to extend the boundaries of literary art, wants to explore new dimensions of the human spirit, and if he doesn't, he should be ashamed of himself.
I think this whole division between the genres has more to do with marketing than anything else. It's terrible for the culture of music.
When we consider the close connection between science and industrial development on the one hand, and between literary and aesthetic cultivation and an aristocratic social organization on the other, we get light on the opposition between technical scientific studies and refining literary studies. We have before us the need of overcoming this separation in education if society is to be truly democratic.
I spent a whole career infiltrating places.
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