A Quote by Guy Laliberte

We didn't reinvent the circus. We repackaged it in a much more modern way. — © Guy Laliberte
We didn't reinvent the circus. We repackaged it in a much more modern way.
It takes courage to reinvent joys, to reinvent opportunities, to reinvent dreams, to reinvent connections, to reinvent hopes that you have set aside.
I find I think of myself not as a writer so much as someone who provides a gateway, a tangential route for readers to reach the circus. To visit the circus again, if only in their minds, when they are unable to attend it physically. I relay it through printed words on crumpled newsprint, words that they can read again and again, returning to the circus whenever they wish, regardless of time of day or physical location. Transporting them at will. When put that way, it sounds rather like magic, doesn't it? p.369
I've said it from the very beginning: Fighting the best guys in the world doesn't pay as good as the circus. I want to join the circus. I'm trying to get that circus money.
To reinvent a newly impeccable you in the most modern of outfits, don't skip on makeup and be sure to have flawless skin and hair. That will have more impact than expensive clothes.
There was recently a story out that I turned down a role in a major franchise. That's not true. I refused to audition for it. I didn't get the part. I didn't even go in because I thought that the part was just a repackaged version of the parts I played before in these young adult films - sort of moody, masculine, but sensitive and all this kind of thing. It was just a repackaged, rather dull thing.
If you want to fight in the UFC, you've got to realize that you are just an elephant in the circus. As soon as you ask for more peanuts, you have to go find a different circus.
In a way, all actors are gypsies, or much like a traveling circus.
When I was younger, I wanted to own a circus and create this bizarre revue that went from town to town. I suppose, in a way, I got my wish because when you're working on a film, you're in a traveling circus.
There is so much that glows in the circus, from flames to lanterns to stars. I have heard the expression “trick of the light” applied to sights within Le Cirque des Reves so frequently that I sometimes suspect the entirety of the circus is itself a complex illusion of illumination” .
I'm actually not a huge circus fan in the traditional sense, but I like a lot of the circus trappings of striped tents and caramel. I lean more towards Cirque du Soleil than Barnum and Bailey.
Modern girls are much more informed than we were. Modern girls seem to know more and there is openness.
I like the clowns from the circus that have more paint on their face. They were all funny and made me laugh. As a kid, I remember the clowns that were all in white reminded me more of death than circus clowns. It can be a scary thing.
From 1840 to 1940, the circus was the biggest form of entertainment in the country. People were starting to have money, starting to have half a Saturday off. In an era before people went on vacations much, the big deal was when the circus came through town.
I was driving pretty much the way everyone drives in LA, like elephants dancing on each others’ backs at a circus.
No matter how much restriction civilization imposes on the individual, he nevertheless finds some way to circumvent it. Wit is the best safety valve modern man has evolved; the more civilization, the more repression, the more need there is for wit.".
I write because I want more than one life; I insist on a wider selection. It’s greed, plain and simple. When my characters join the circus, I’m joining the circus. Although I’m happily married, I spent a great deal of time mentally living with incompatible husbands.
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