A Quote by Guy Laliberte

We are each but a quarter note in a grand symphony. — © Guy Laliberte
We are each but a quarter note in a grand symphony.
Each day for me is a musical note that I use to compose the symphony of my life.
You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.
We are all a quarter good, a quarter bad, a quarter animal and a quarter child which equals a whole bunch of crazy.
Everybody is pretty good in the first quarter. Second quarter, you have a little bump or two on you coming into the half. By the time the third quarter comes around, you're tired, you're laboring. When you come to the fourth quarter, it calls on your character.
God picks up the reed-flute world and blows. Each note is a need coming through one of us, a passion, a longing pain. Remember the lips where the wind-breath originated, and let your note be clear. Don't try to end it. Be your note.
Under a tyranny, most friends are a liability. One quarter of them turn "reasonable" and become your enemies, one quarter are afraid to speak, and one quarter are killed and you die with them. But the blessed final quarter keep you alive.
You stimulate the neo-cortex, it produces a symphony. But it's not just a symphony of perception. It's a symphony of your universe. Your reality.
Lord #? God , I praise Your Holy Name. Let every beat of my heart be a note of love in the symphony of my life.
Quarter-finals is good at a Grand Slam, but I think we want to go farther.
Give her two red roses, each with a note. The first note says For the woman I love and the second, For my best friend.
I have my own religion. I'm sort of one-quarter Baptist, one-quarter Catholic, one-quarter Jewish.
Without "Louie Louie" a symphony is not quite so grand.
My musical genius reached its apex thirty years ago when I played the triangle in Haydn's children's symphony, so I could not play unless you needed someone to make one sustained note!
The contention is if you don't do it in the first quarter, if you don't box out and control the glass in the first quarter, you are not going to do it in the fourth quarter and overtime.
I don't remember that I copied any guitar player note-for-note. But I remember copying Charlie Parker note for note.
It seemed to me that had Haydn lived to our day he would have retained his own style while accepting something of the new at the same time. That was the kind of symphony I wanted to write: a symphony in the classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony.
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