A Quote by Guy Maddin
The fact that you couldn't see Alfred Hitchcock's first film The Mountain Eagle, or that you couldn't see so many of F.W. Murnau's masterpieces, or that you couldn't see so many of Oscar Micheaux's really intriguing race melodramas, made with fierce independent spirit against all odds in '20s and '30s America. That stuff haunted me. They really did bring to life a sense of 20th Century history: cultural history, pop history, gender politics and race politics, socio economic history, all that stuff. It was bracing and instructive.
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All other forms of history - economic history, social history, psychological history, above all sociology - seem to me history with the history left out.
If you know the history of the whole concept of whiteness if you know the history of the whole concept of the white race, where it came from and for what reason you know that it was a trick, and it's worked brilliantly. You see, prior to the mid to late 1600s, in the colonies of what would become the United States, there was no such thing as the white race. Those of us of European descent did not refer to ourselves by that term really ever before then.
Film is the manipulative medium par excellence. When you think back on the history of film and the 20th century, you see the propaganda that's been made. So there are moral demands on the director to treat the spectators as seriously as he or she takes himself and not to see them merely as victims that can be manipulated to whatever ends they have.
I am a curious creature and put my finger in as many cakes as I can: history, film, technology, etc. I'm also a freak for urban history, particularly Barcelona, Paris and New York. I know more weird stuff about 19th-century Manhattan than is probably healthy.
I'm a storyteller; that is what I do. And I'm particularly interested in history; and in history of a certain era. But what is interesting for me is how many, how many things you see repeated.
But George Lucas is carrying about Black actors, about Black men, about Black history, which really incorporates and tells all of history. You can't take one race out without eliminating every other race if you're going to tell the story of the human race.
In my early 20s, I studied history and politics, and I really thought that perhaps I would devote my life to that.
Im a storyteller; that is what I do. And Im particularly interested in history; and in history of a certain era. But what is interesting for me is how many, how many things you see repeated.
Of course, in the reality of history, the Machiavellian view which glorifies the principle of violence has been able to dominate.Not the compromising conciliatory politics of humaneness, not the Erasmian, but rather the politics of vested power which firmly exploits every opportunity, politics in the sense of the "Principe," has determined the development of European history ever since.
Hindsight is obviously a very great thing, but I'm always convinced that the reason that I didn't take as many politics or history classes is because I just didn't see any women. I didn't think when I was 13, 14 that that had anything to do with me. I just didn't see women in my textbooks.
In 1984, Geraldine Ferraro made history by participating in the first male-on-female vice presidential debate against George H. W. Bush. What should have been a groundbreaking moment for gender equality in politics became a forum for old gender expectations.
Black History is enjoying the life of our ancestors who paved the way for every African-American. No matter what color you are, the history of Blacks affected everyone; that's why we should cherish and respect Black history. Black history changed America and is continuing to change and shape our country. Black history is about everyone coming together to better themselves and America. Black history is being comfortable in your own skin no matter what color you are. Black history makes me proud of where I came from and where I am going in life.
Politics are vulgar when they are not liberalised by history, and history fades into mere literature when it loses sight of its relation to practical politics.
I went to film school and studied Alfred Hitchcock. I knew of Alma Reville existence, but had no idea really who she was or how influential she was on him. She stayed in the shadows. Go online, and there are hardly any images or film of her. She really stayed out of the limelight on purpose. She didn't want it, and I think that's one of the reasons that she's really lost in the shadows of Hitchcock's history to a degree.
I think where you're born brings a history with it - a cultural history, a mythical history, an ancestral history, a religious context - and certainly influences your perception of the world and how you interpret everyday reality.
There is no history of mankind, there are only many histories of all kinds of aspects of human life. And one of these is the history of political power. This is elevated into the history of the world.
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