A Quote by Guy Maddin
Some Jungian or Freudian would tell me I'm just trying to go back to the womb... at gunpoint, if necessary.
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So the older models, when you look at Freudian, when you look at Jungian thought, and there's still people who really - who really use the Jungian thought of dream analysis, is really that you would analyze the dreams. The dreams are there for a purpose.
I just wish that God or my parents or Sam or my sister or someone would just tell me what's wrong with me. Just tell me how to be different in a way that makes sense. To make this all go away.
My mum wouldn't let me go outside. Coming back from school, the gang men sometimes would say things, but I would walk by, never answer, and my mum would go tell them leave me alone.
I want to tell everybody that you won't hear me trying to pop bottles in the club and all that kind of stuff. It's just not me and I think as long as you stay within your element and your age bracket, sure you're going a couple of young folks and teens, but that's not who I'm focused on. I'm really not. I love whoever supports, but I'm just not going to try and go back there because times have changed. If you don't move with the times, you'll get left off. I'm trying to change with the times.
Go back to The October Palace, which came out in 1994, and there are poems with windows, doors, the rooms of the gorgeous and vanishing palace that is this ordinary world and ordinary life. Jungian archetype would say the house is a figure for the experienced, experiencing self.
I'd love to go back to Broadway if there was a place for me there. I would absolutely go back; it's just a part of me.
After the years of me trying to figure out what I wanted to do with myself, I knew I had to go back and fix some things. I can't just be super-rich or whatever and not do the right thing.
The difficult notes are when they say, "And this is how we want you to fix it . . ." Just tell me what the problem is. Just tell me what the issue is, and I'll go off an fix it. It's usually when executives get to a place where they're trying to fix the problem for you that you have issues
Back when I was racing go-karts, I would be a complete jokester. I'd crack up with the guys around me, I just was horsing around with everyone. But as soon as we got our go-karts to the grid and I put on my helmet, my daddy always used tell me, 'You turn into a completely different person.'
I favor the Civil Rights Act of 1964 and it must be enforced at gunpoint if necessary.
The process [of mass-media deception] has to be conscious, or it would not be carried out with sufficient precision, but it also has to be unconscious, or it would bring with it a feeling of falsity and hence of guilt.... To tell deliberate lies while genuinely believing in them, to forget any fact that has become inconvenient, and then, when it becomes necessary again, to draw it back from oblivion for just so long as it is needed, to deny the existence of objective reality and all the while to take account of the reality which one denies all this is indispensably necessary.
The thing that upsets me the most is the entitlement of people that will stand with a flag and say to some other people that they need to go back to where they came from. When, in fact, they also would need to go back to where they came from, because you need to go all the way back to the beginning.
If I had to go back to something, I would go back to the 'Victory Tour' of the Jacksons, because I love me some Michael Jackson. I'd get my one glove, and my high water pants on, and my sparkly socks and black loafers.
I did some plays in high school. Yes. Never took it that seriously. My parents, however, wanted me to go to college. My grades weren't exactly spectacular so they figured acting might be a necessary back door into some school.
Normally my process is to sit in a room and read a script and talk about it and ask questions and just create a dialogue. That goes all the way through shooting. All kinds of thoughts and ideas can find their way in there. As long as you're all on - We're just all trying to tell the story so my job as a director is just to find out what this film wants to be based on, it's just words on a page at some point but then it just needs to go to some level of believable storytelling. I'm discovering the film as I make it, to some degree.
...the dark ancestral cave, the womb from which mankind emerged into the light, forever pulls one back - but...you can't go home again...you can't go...back home to the escapes of Time and Memory. You Can't Go Home Again
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