A Quote by Guy Maddin
I guess to the outside observer, all my movies look like musty old black-and-white artifacts, but my earlier movies had been more static and tableaux-ish.
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My entertainment was going to the local dollar movie theatre on the weekend, where I watched old black and white movies. If you wanted current movies, you had to drive to the big city.
If it makes you feel any better, you’re not as bad as Keith. He was here earlier today and was so nervous, he literally kept looking over his shoulder.” Lee paused thoughtfully. “I think it might have been because Adrian kept laughing like a mad scientist at those old black-and-white movies he was watching.
I think that if I had grown up and had been in show business and the movies twenty five, thirty years earlier, I think I would have made a lot more musical movies.
I think the whole stigma of 'black movies' is slowly being lost. When you look at movies like '12 Years A Slave,' to 'The Butler,' to 'The Best Man,' to 'Ride Along,' to even 'Think Like a Man' from last year - these movies are just good movies.
I am more of an old black and white movies fan.
The other two things are... well, I had a huge appetite for old black and white movies on BBC 2. At the weekends they used to run matinees, and the more romantic the better.
I am astounded at my age with a 20-year-old daughter to discover that kids of her generation don't want to watch black and white movies. I understand that they gave up on silent films, but black and white? So, now movies have to be taught in academia because people don't know how to watch them, they don't know how to appreciate them.
The idea of going to the movies made Hugo remember something Father had once told him about going to the movies when he was just a boy, when the movies were new. Hugo's father had stepped into a dark room, and on a white screen he had seen a rocket fly right into the eye of the man in the moon. Father said he had never experienced anything like it. It had been like seeing his dreams in the middle of the day.
Old film-noir movies. There's something comforting about watching black-and-white movies, and hearing this kind of music just puts me in a fantasy world. It's a really great escape for me.
It all felt like a terribly long time. It would have meant that I had to make five movies in five years and if you don't like the movies, too bad. I guess I just wanted my freedom, and I think my life has been incredibly enhanced as a result.
I feel like part of my journey as a filmmaker is to tell different stories, whether they are just a black perspective on things that aren't necessarily hood movies, or Tyler Perry movies or Ava DuVernay movies. Love all those people, but that whole thing has been sowed up already.
The earliest influence on me was the movies of the thirties when I was growing up. Those were stories. If you look at them now, you see the development of character and the twists of plot; but essentially they told stories. My mother didn't go to the movies because of a religious promise she made early in her life, and I used to go to movies and come home and tell her the plots of those old Warner Brothers/James Cagney movies, the old romantic love stories. Through these movies that had real characters, I absorbed drama, sense of pacing, and plot.
Watching old movies is like spending an evening with those people next door. They bore us, and we wouldn't go out of our way to see them; we drop in on them because they're so close. If it took some effort to see old movies, we might try to find out which were the good ones, and if people saw only the good ones maybe they would still respect old movies. As it is, people sit and watch movies that audiences walked out on thirty years ago. Like Lot's wife, we are tempted to take another look, attracted not by evil but by something that seems much more shameful -- our own innocence.
The whites have always had the say in America. White people made Jesus white, angels white, the Last Supper white. If I threaten you, I'm blackmailing you. A black cat is bad luck. If you're put out of a club, you're blackballed. Angel's-food cake is white; devil's-food cake is black. Good guys in cowboy movies wear white hats. The bad guys always wore black hats.
Most filmmakers' entire body of knowledge is of other movies. When they describe things, they describe them in relation to other movies. That's why we have so many cyclical movies that look like other movies. But I'm not cynical. I even go to some of those movies.
I don't look like the way we've painted directors in our movies and everything since forever. I don't look like an old white guy in a baseball cap. So, yes, there are always moments when people are surprised that I'm the director.
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