A Quote by Guy Maddin
I wandered around in a confused daze for most of the '90s unable to even remember why I wanted to be a filmmaker and somehow I found myself at the turn of the century. I used lost film as an excuse to express myself.
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Most of all, I really wanted to become a filmmaker, and I've used every acting experience to just turn it into film school.
I'm removed in my real life, and unable to express certain things face to face. So I have always found myself in this fantasy world. That's why I started writing songs and stories from a very young age. I'd much rather walk around anonymously cooking up tales than face the people that I have known forever.
Everybody hates dependence, and that's why couples are continuously fighting, not knowing why they are fighting. They have to meditate over it, they have to contemplate over it, why they are fighting. Everything is just an excuse to fight. If you change one excuse, another excuse will be found; if no excuse is left then excuses will be invented, but somehow the fight has to be there.
I feel like, in the Czars, for example, I was afraid. I couldn't express myself. I didn't have a connection to myself. That's one of the huge reasons why it was such a difficult existence. I put a lot of that on myself. I couldn't access myself. I couldn't look at myself, because I was too ashamed.
On one podcast, I attempt to antagonise and lose listeners by commentating on myself playing snooker against myself in my basement. Most people are baffled, confused, even angry about it.
I found myself in a maze where I'd taken the wrong turn. In my wish to do well for that congregation I wasn't doing particularly well for myself or my friends or my family, and I even found that the work for God was taking me away from God.
I don't even remember why I called myself an idiot. I can be very harshly critical of myself. It depends on my mood, and obviously it depends on where I am in my life. Yes, embracing myself - I'm working on that.
Sometimes, particularly in summers in New York, I have tried to write in shorts or with no shirt on and found myself unable to do so, the reason being, I take it, that writing, even of the most impersonal sort, is for me a divestment, a striptease, even, so that if I start off undressed, I have nowhere to go.
Back when I used to struggle with how I could define myself in the film business, I knew that I'd always remain true to myself and what I wanted to accomplish. The style of action I showcase is quite different from other stars we usually see, but I'm remaining true to myself, and hopefully this comes across.
For me, what counts the most is my film. I can express myself and therefore take care of myself through my art. Cinema not only heals me, but it can change the world.
In a weird way, I never wanted - I don't consider myself a very good writer. I consider myself okay; I don't consider myself great. There's Woody Allen and Aaron Sorkin. There's Quentin Tarantino. I'm not ever gonna be on that level. But I do consider myself a good filmmaker.
What if I forgave myself? I thought. What if I forgave myself even though I'd done something I shouldn't have? What if I was a liar and a cheat and there was no excuse for what I'd done other than because it was what I wanted and needed to do? What if I was never redeemed? What if I already was?
I always wanted to be an actress, but I was embarrassed to say so, and somehow I found myself in the dance track. I'm very competitive, and I wanted to be the best in that field, too, although it didn't really speak to me.
Why should I limit myself or drive myself towards a woman-centric film. Sometimes, the most interesting role is not that of the protagonist.
I remember the day I found out my draft status. I was really floored and kind of staggered around in a daze. It just hadn't occurred to me that I could end up in Vietnam.
I remember the day I found out my draft status. I was really floored and kind of staggered around in a daze. It just hadn't occurred to me that I could end up in Vietnam
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