A Quote by Guy Maddin
Shredded feelings are the fuel that feed the machinery of melodrama. And good melodrama just has honest feelings and is honest about the way people interact.
Related Quotes
I think that melodrama is a safe way of suffering, because your suffering is fake. That's why I like melodrama.
In my music and my life, I'm honest with my feelings, and people appreciate that. That's just the way I am.
I want to make honest music and tell honest stories that hopefully reflect the thoughts and feelings other people have.
If melodrama is the quintessence of drama, farce is the quintessence of theatre. Melodrama is written. A moving image of the worldis provided by a writer. Farce is acted. The writer's contribution seems not only absorbed but translated.... One cannot imagine melodrama being improvised. The improvised drama was pre-eminently farce.
I define melodrama as truth uninhibited. It's the kind of truth we dream about. Rather than melodrama being exaggerated, it's actually uninhibited. And it's a big difference - people look down on exaggerations, but I think they should look up to the un-inhibitions.
I'm probably the most honest person you'll ever meet - to a fault, like, I-will-hurt-your-feelings honest. I'm sure if I lied about anything, it would have been silly, but I haven't retained that information.
I do think it's important to be honest about your feelings in a long term relationship because it's totally human to be attracted to other people. It's just about what you do about that attraction.
We like people who are honest. Honest in argument, honest with clients, honest with suppliers, honest with the company - and above all, honest with consumers.
If I feel like crying, I'll just cry in a dream. Something I really try not to do in my waking hours. I like good melodrama because it's just an undumping of all these compulsions we feel that we work so hard to master during our waking hours. No wonder we crash to sleep in bed at night. We have to, otherwise we'd just spend our waking hours shredding the feelings from everybody else.
I chose the American ones, more or less the last five years of the silent era, because those are the ones that aged the best in the way they tell the story. One, it's about human beings with context. It's a very classical story with feelings, with laughter, melodrama and it really works, the good ones - Murnau's American movies, John Ford's Four Sons, King Vidor's The Crowd, or the (Josef) von Sternberg movies. You can watch it now and it still works. I mean they are really, really good pieces so this is where I tried to work.
Many people don't know about the power of good feelings, and so their feelings are reactions or responses to what happens to them. They have put their feelings on automatic pilot, instead of deliberately taking charge of them.
For me, honest critique is not all about your feelings and your ear. Honest critique is sitting down with an album that you may not put on in your spare time, and really digging into that album, so you can talk about the beat selection.
We need to make sure that we have an honest, honest conversation and that we engage honest practices around how racism operates in this country. It's not just about people being mean to each other.
I don't think 'Twilight' should be approached like 'Batman.' Because it is an invented kind of world, especially this one, I think it's got to be done with a sense of enjoyment to it I guess more than anything. So I never thought of anything as making fun of it, but kind of reveling in the melodrama of it. It's a melodrama.
My mom and I are very honest with each other, almost to a fault. But that's just the way I am in life. If you listen to my record, I'm just honest about stupid stuff most normal people wouldn't put in a pop song.
I really think more about being honest and truthful about feelings and how people behave for the movies that I direct, but I also love movies like Zohan and Anchorman, just balls to the wall, how much can you make people laugh in one 90 minute period.
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