A Quote by Guy-Manuel de Homem-Christo
We're always looking for ground where we can experiment, where we can do something that's relevant but that hasn't been done before. Can it be in recorded music? Can it be in the field of a tour? These can take any kind of forms.
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I'd say dance is as relevant to us as, say, pop. It's as relevant as electronica, as relevant as ambient or experimental music. I wouldn't say it's something we spend more time on than any other genre.
I'm always intrigued by new challenges and things that I've never done before and new experiences. It sounds so simple, but the primary interest is just something that's good and instills within me some kind of gut feeling that feels like something that I'm passionate and excited about, and there can be multiple variables that can instill that. It can be simply a filmmaker, it can just be a character, it can just be the script, or a combination of all those things. But, I'm always just looking to do things that I've never done before, primarily.
I've always been the kind of person that if I take on anything professionally it means commitment to me, so you take it on if you can commit to it and if you know you can accommodate and give your best to it and that's what you do, and I have always done that throughout my life - before marriage, after marriage, before motherhood, after motherhood.
There's something about music that encourages people to want to know more about the person that made it, and where it was recorded, what year it was done, what they were listening to, and all this kind of stuff. There's something that invites all this obsessive behavior.
To play on top of a bus is something we've never done before - we did play on the Red Bull Tour Bus once in Bangalore last year, but it's always a one of a kind of experience to jump on the bus and sing.
I do not write experimental music. My experimenting is done before I make the music. Afterwards it is the listener who must experiment.
So I've always been kind of an apocalyptic kind of kid, and looking back at the movies I've done, there's some kind of apocalypse in them. So that must be what scares me... besides Republicans.
I've done a lot of movies that don't have any music in them, and I've always sort of had a kind of wary attitude about music because it can be so manipulative, and also because with pop music, I feel like everybody kind of has their own relationship to songs.
I'm really into everything. Something I've been asked throughout the years I've done the show is, "What kind of music are you into?" I find that to be a bizarre question, because it implies there are people out there that are only into one specific kind of music. But I think I, like most people, enjoy a wide variety of music.
It's so hard to do anything that doesn't owe some kind of debt to what Stanley Kubrick did with music in movies. Inevitably, you're going to end up doing something that he's probably already done before. It always seem like we're falling behind whatever he came up with. "Singin' in the Rain" (1952) in "A Clockwork Orange" (1971) - that was the first time I became so aware of music in movies. So no matter how hard you try to do something new, you're always following behind.
It's kind of true that they just start making the same movie over and over again. It's also true that the times dictate what kind of movies get made and what kind are not. So I'm always looking for something that's a little fresh and something that I haven't seen before.
The value and utility of any experiment are determined by the fitness of the material to the purpose for which it is used, and thus in the case before us it cannot be immaterial what plants are subjected to experiment and in what manner such experiment is conducted.
Everyone knows we take our time. We're really trying to be responsible with ourselves in trying to discover ideas that haven't been discovered before. It's kind of an alchemy, how we experiment.
I think, having done 'The Princess Diaries,' it was a fun experience, and it's cool to have made fans that are now into all this music. That movie is still so relevant to our culture. It's always on. It's kind of a rare, nostalgic thing. I get tweets all the time about it.
After 10 years, I have been touring for 20, playing basically the same type of music, a four-piece or three-piece type of music with loud, crashing drums and screaming vocals. It gets to the point where you're looking for something new, and you don't want to do something that's way too left-field, for fear that it might seem contrived.
As I learned, like, each year, more and more, I face it as far as there's always something. There's always talk about something. Off the field or if it's on the field, it's age, it's my salary. It's always something, so I learned to kind of use that nowadays, it's like motivation.
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