A Quote by Guy-Manuel de Homem-Christo

Looking at robots is not like looking at an idol. It's not a human being, so it's more like a mirror - the energy people send to the stage bounces back and everybody has a good time together rather than focusing on us.
A man in a suit looking put together and dapper is very attractive, but I also kind of like the I-just-rolled-out-of-bed, a-little-bit-of-scruff, effortless, not-trying-hard-but-still-sexy guy. If a guy spends more time looking in the mirror than I do, that's problem!
I just feel like I understand Cameron Diaz better than I ever have before, and I don’t like it. I don’t like to see everything I see. It’s like a magnifying mirror only soulful, and I’m not looking at her, I’m looking at us, you know? And our pores are huge.
Normally classical music is set up so you have professionals on a stage and a bunch of audience - it's us versus them. You spend your entire time as an audience member looking at the back of the conductor so you're already aware of a certain kind of hierarchy when you are there: there are people who can do it, who are on stage, and you aren't on stage so you can't do it. There's also a conductor who is telling the people who are onstage exactly what to do and when to do it and so you know that person is more important than the people on stage.
There's something so arrogant about us creating robots that are more and more human-looking or acting. It's like we're playing God. Let's create something that's a reflection of us, but it's inferior.
I am looking for strong characters rather than being just a pretty girl. Actresses can do so much more than looking good.
I realize how myself and other people have started to almost fool ourselves that it's more important to us and more real than the real world, the offline world, and we value looking at our phone and pixels on a screen more than connecting eye to eye with a human being, which is terrifying to me because we're becoming robots.
I certainly was not the romantic lead. I couldn't be that, because I was not that good looking. And that is something about Hollywood that I do not like at all. Why can't a woman who is just normally good looking fall in love? I mean, everybody in the movies is so good looking.
I think art is good at looking back and looking forward. I don't think art is good at looking head-on. At the end of the day, people are more important than paintings.
That Seaman is a handsome young man but he spends too much time looking in his mirror rather than at the ball. You can't keep goal with hair like that.
I love driving, but sometimes, I'm not too good at it because I spend too much time looking in the rearview mirror if I know I'm being followed. You don't respond like, 'Oh, there's paparazzi.' It's more like, 'There's a man, and he's going to attack me.' That's how your body responds.
Self-righteousness....is the largest idol of the human heart - the idol which man loves most and God hates most. Dearly beloved, you will always be going back to this idol. You are always trying to be something in yourself, to gain God's favour by thinking little of your sin, or by looking to your repentance, tears, prayers ; or by looking to your religious exercises, your frames, etc; or by looking to your graces, the Spirit's work in your heart. Beware of false Christs. Study sanctification to the utmost, but make not a Christ of it.
I believe that good television should be challenging and frustrating and maddening and thrilling. If you just want to see people who look like you and think like you and do what you would do in any given situation, you'd have to stop looking at TV and start looking in a mirror. But would that be as much fun?
We (Derek Jeter and I) always talk about getting old, gray, and fat when our careers are over and just having a good time. He's like me. He wants to have a good time and be a good person. It's a weird situation for us. It's just like we're looking in the mirror. the only difference is I'm on the West Coast and he's on the East Coast.
I want people to know what it is they're looking at. But at the same time, the closer they get to the painting, it's like going back into childhood. And it's like an abstract piece.. it becomes the landscape of the brush marks rather than just sort of an intellectual landscape.
That's the thing about stage: It's something you can't find anywhere else. It's a two-and-a-half, three-hour experience, and it's a real relationship. You're sending out energy from the stage, but the audience is giving you back so much also, so that's also lifting you and pushing you forward as you're performing and giving you so much energy. You can't find it anywhere else, and that's why people get addicted to being on stage, and when they're not on stage are kind of looking for that and constantly searching for it.
I never thought of myself as being that good looking, I was an actor, people saw me on television, and then they start to think you're good looking because of that presentation. I was no better looking before the show, than after - and before the TV show I couldn't get a date to save my life. So what changed? Did I suddenly become more good looking? No. I got lucky, I got a TV show. That's what happened.
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