A Quote by Guy-Manuel de Homem-Christo

We consciously tend to listen to stuff that is further than what we do. We listen to Bach. — © Guy-Manuel de Homem-Christo
We consciously tend to listen to stuff that is further than what we do. We listen to Bach.
I tend not to listen. When I'm listening to records, I don't listen to much new wave stuff, I tend to listen to the stuff I used to listen to a few years back but sort of odd singles.
I listen to Bach a great deal. In general I like to listen to hymns and liturgical music.
I cannot listen to Beethoven or Mahler or Chopin or Bach when I write because those composers require you stop what you are doing and listen.
I used to not listen that much, but I've really learnt to listen to other people and to really listen to what they're saying. I've found, especially being on a film set, people have so many different stories; if you just listen, you can pick up so much stuff. I try to listen as much as I can.
A lot of punk rock. I listen to various stuff just cuz my friends now listen to a lot of different bands. I listen to a lot of underground stuff like jungle music.
I listen to a lot of different stuff, from Mozart to Johnny Dowd to Monster Magnet. I don't listen to music while I'm writing a draft, but I do listen to it when I'm revising.
I never listen to music when I am writing. It would be impossible. I listen to Bach in the mornings, mostly choral music; also some Handel, mostly songs and arias; I like Schubert's and Beethoven's chamber music and Sibelius' symphonies; for opera, I listen to Mozart and in recent years Wagner.
I think the best songs that come to me are ones that you sort of listen for. The ones - when I listen to some of my old stuff, I can tell when I had a good idea, but I forced it through, and I can hear myself - the bit that I've written, which sounds clunkier than the stuff that just sort of comes.
I listen to everything while I train. From old school reggae, to classical stuff like Bach, to hip-hop, to rock and roll.
When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble. I don't only listen to the guitar player.
I tend to listen to music more than I read. I need to get into reading a bit more. The stuff I tend to read is usually non-fiction books more than fiction, but I've been trying to power my way through Dostoevsky's 'Crime and Punishment,' and I do enjoy it.
I listen to lots of music, especially Bach, opera (all periods), German lieder, chamber music, and rock, old and new. I can't listen to music while I write. It's too absorbing.
I listen to NPR when I listen to the radio, but I don't listen to the radio that much. You know, I listen to Garrison Keillor, I listen to 'Prairie Home Companion.'
I'm too busy playing. When I'm playing I don't pay attention to who's listening. When I was listening I listened to symphony orchestras, Beethoven, Bach, Brahms, Stravinsky. You don't listen to one instrument; you listen to music.
Like my fictional protagonist Tom Thorne, I love country. My tastes go back a bit further than his do, and I still listen to stuff from the late '70s and early '80s.
I love my family's music because I love it. It's good. I listen to the Winans all the time. I listen to BeBe and CeCe. I listen to Angie and Debbie. I listen to Uncle Daniel. I listen to Phase 2, my two brothers and my two cousins. I think they're incredible.
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