A Quote by Guy-Manuel de Homem-Christo
It still amazes me that everyone is so crazy about what we are doing. Maybe I am just dreaming but people seem to really freak out at what we are doing. I don't know why.
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Over the years, I have really figured out what works for me. It's not about what anyone else is doing. I can't worry about whether I am doing everything that another player is doing, which can be hard sometimes. I have to trust my training and know my body and figure out what will get the best out of me.
I remember my first meeting with Guillermo Del Toro - he couldn't have been warmer, but I always had a kind of immaturity about me dealing with people that were in charge. Not really knowing how to conduct myself. And I got on the floor and curled up into a ball under a desk, which is so weird - as I was doing it, I was like, "Oh, my god, you're a freak. Get up. What are you doing?" And I looked at him like, "I'm so sorry," and he's like, "No, it's natural. Why wouldn't you want to do that?" He's just the most giving person and made me feel not like a freak.
That is why we have the polio vaccine. People are blazing their own trial. That is what seems to be important. I don't care to follow and to do what the mass is doing. That is not doing anything, to be doing what everyone else is doing. Everybody is unique. The funny thing about people now is that people don't really understand or really appreciate how unique each individual on earth is.
Why did Barry Humphries play Dame Edna for so many years? Why is Steve Coogan still doing Alan Partridge? Because there are just one or two characters they love doing. I'm lucky enough to have six that I'm crazy about.
What interested me the most was that when I [traveled to Europe] I knew what Joseph Beuys was doing, he knew what I was doing, and we both, we just started to talk. How did I know what Daniel Buren was doing, and to an extent, he knew exactly what I was doing? How did everybody know? It's an interesting thing. I'm still fascinated by it because, why is it now, with the Internet and everything else, you get whole groups of artists who have chosen to be regional? They really are only with the people they went to school with.
I have to tell you, a few people had very controversial feelings about what I was doing with Gucci at the beginning, and now, after a couple of years, they are changing their minds. I want to give journalists the time and space to know me and what I'm doing better. But it's not a priority for me. At the end of the day, I am not an artist; I am not doing a performance; I'm doing things that need to be sold. And I know my job.
I just kept on doing what everyone starts out doing. The real question is, why did other people stop?
I've never really gone out and told people, 'I'm a Christian. I believe in God, and that is the reason why I'm successful. That is the reason why I'm still here doing what I'm doing.'
I got tired of doing battle with people thinking I was a little weird because I wasn't in a band making happy, stilted music. The only people who really seem weird to me are people who think they're normal. People who think it's possible to be normal just by doing the same things that most people do. Is there a most people? I don't know. Television makes it seem like there is, but I think that might just be television.
Who knows, maybe I'm just a stubborn jerk? Maybe the other people who do stuff they don't want to do, maybe they're doing the right thing. Who am I to say? I'm just doing my thing and being myself, and I've been given the incredible, fortunate opportunity to play roles that I frickin' care about and enjoy playing. And it might not last forever. That's okay. That's what it is.
I am not really thinking, I am just, working with the music. And people have asked me, why don't you say more, or why do you not have singers, or why don't you sing? I think it's because, if I would have words for what I am doing, I I could write. But I really don't. It's a whole different thing. And I think it's one of the beauty of instrumental music is that it can be background. It can be what people call "easy listening." But it's really one of those things where it's as much as you are willing to give it.
Open the GIFTS actually came out of this quest. I ended up going into a pretty deep depression that people don't know about, and now I'm talking about it. I was too focused on, If I'm not working, who am I? Why am I not doing that thing that I want to do the most? Why am I not successful in this moment?
I've just recently started doing the promo bits for the new album, and the funny thing is that the people who come to talk to me about these things seem to be getting younger. It's like the people who like the music are all young kids and they're on top of you - they know all about what you're doing, and they're excited and animated about it. So it's a lot of fun.
I think that if you're somebody who's a control freak, the process would make you crazy, but I'm kind of a process freak, so I'm excited to see what he does with it. I know it's not going to be my book, so just starting with that knowledge frees me from having to get all freaked out about it.
Sometimes it just doesn’t seem to matter that I know what I should be doing. I still do what I am gonna do.
Everyone is born a poet - a person discovering the way words sound and work, caring and delighting in words. I just kept on doing what everyone starts out doing. The real question is: Why did other people stop?
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