A Quote by Guy Martin

The most common way to crash coming out of a corner is to highside - which is where you accelerate out of the corner, and the rear loses grip, then suddenly finds grip and chucks you off the bike.
In Formula 1 there is so much grip, you can attack the corner so hard and be so aggressive in corner entries, and that doesn't really work in IndyCar. You have to bring that back a bit and be more precise in the mid-corner to exit.
Jack, get a grip of yourself.' I have a grip of myself.' Jack took a grip of himself. It was a most intimate grip; not the kind of grip that you usually take of yourself in public.
Think of a fine painter attempting to capture an inner vision, beginning with one corner of the canvas, painting what she thinks should be there, not quite pulling it off, covering it over with white paint, and trying again, each time finding out what her painting isn't, until she finally finds out what it is. And when you finally do find out what one corner of your vision is; you're off and running.
A true storyteller is really good at writing himself into a corner and then finding a way out of that corner
I go out of my way, but rather by license than carelessness.... It is the inattentive reader who loses my subject, not I. Some word about it will always be found off in a corner, which will not fail to be sufficient, though it takes little room.
Grip pressure - not mechanical flaws - is the biggest factor when you're nervous. You unconsciously grip it tighter, which keeps you from making a smooth swing with a natural release. Keep your grip pressure light, and you'll be surprised how much your mechanics stabilize.
In real life, the most important decision you ever make is, where does reality leave off and make-believe begin? If you make a mistake about that, you're dead. You know, you're out on the street corner. You think there's no bus coming. You step out, you're dead.
Nobody taught me my slider. I mean, if you look at my grip, I don't think anyone has the same grip as I do. It's a separate grip. I hold it kind of weird and everything. When I started throwing it, I just wanted to start throwing something different and came up with that. I turned it a little bit.
When you drive a car, either you manage it and feel it with the grip of the car, or, like me, you fix it on visual speed. If you do it through the grip, you lose it very quickly - because when the track changes, you can have scares. I do it visually, so if I am going too fast I fight to get the car back, but I do not do it by feeling the grip.
There's a lot of speculation on what the zombie apocalypse thing means. I have a feeling that it's kind of an expression of our subconscious fears. I think we know that something big and impossible - some enormous crash, equalizing crash, whatever - may be coming around the corner.
Theres a lot of speculation on what the zombie apocalypse thing means. I have a feeling that its kind of an expression of our subconscious fears. I think we know that something big and impossible - some enormous crash, equalizing crash, whatever - may be coming around the corner.
Marc Cherry is so good at writing himself into a corner, then writing himself out of that corner. It's really fun to watch that.
Marc Cherry is so good at writing himself into a corner, then writing himself out of that corner. Its really fun to watch that.
Families hold each other in an iron grip of definition. One must break the grip, somehow.
You have to see if the batsman is coming out, if he is staying back, what his grip is like, to gauge his intentions. A common trend I have observed is, a lot of batsmen change their grips when they are looking to hit: normally they either go high or slide their hand to the bottom of the handle to get maximum power.
Saw is like a big jigsaw puzzle. When you put a jigsaw puzzle together, you put the bottom left corner together first, and then you find yourself working on the upper right corner... Thats the way Saw plays out.
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