A Quote by Guy Martin
I've got my own TV stuff on the go, and it's all a bit oddball - it's one-offs, and I can do what, when, and how I want it, really. I don't have any scripts or people telling me to do stuff twice.
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You're really spread out now, you've got stuff all over the WORLD! You've got stuff at home, stuff in storage, stuff in Honolulu, stuff in Maui, stuff in your pockets...supply lines are getting longer and harder to maintain.
I won't read scripts because I have a limited amount of time. Why should I help other people do lame stuff when I can just go out and put on lame stuff of my own?
I watch a lot of TV, but I find that recently it's largely oddball stuff. Scripted stuff sometimes feels like homework, like I'm scoping out the competition or something.
I don't care about people kissing my ass or telling me how great I am. I don't really give a damn. I read the bad stuff a whole lot more than I read the good stuff. I read that because there are always going to be critics who are going to say how good you aren't.
There's great stuff out there, but I prefer doing a TV show, going to work every day with the same people, and a lot of stuff is not being shot in Los Angeles and I don't really want to do that because my loved ones are here.
I've got a big closet of scripts, and a big stack of scripts on the side of my desk, because you get a whole bunch. Nothing's going to be perfect, and I realize that; but I am a perfectionist, so you go through a lot of stuff.
Just besides how smart Aaron Sorkin stuff is, really, is how visceral it is, how sensual it is. Not sexual, sensual. Always tactile. When you read his scripts, the scripts read fast and the words almost jump off the page.
The Green Arrow stuff that I've responded to from the past is the Mike Grell stuff. I've liked a lot of other stuff, but I think for me, the direction and the mood and the tone that I really want is something much darker and more aggressive and really fast-paced action.
I worry about getting work, and then when I get it, I worry about doing it well. I don't want to just go through the motions and give people stuff. This stuff is really important to me.
And then you've got President Clinton who made the case as only he can. After he spoke, somebody sent out a tweet- they said, you should appoint him secretary of explaining stuff. I like that- secretary of explaining stuff. Although, I have to admit, it didn't really say stuff. I cleaned that up a little bit.
You know what they do in San Francisco? Some in the gay community there, they want to get people. So if they got the stuff they’ll have a ring, you shake hands and the ring’s got a little thing where you cut your finger. Really. It’s that kind of vicious stuff, which would be the equivalent of murder.
As I get older and maybe a little bit wiser, you realize how much stuff affects your body and what it can do. Cutting out carbs and sweets and trying to eat just proteins and fruits and stuff like that, more natural stuff, is what I have found has had the biggest impact on me.
I wrote lots of scripts that never got made and they were terrible. I thought they were good at the time. You can't write two scripts and expect your career to take off. Keep writing. Be you. Be original. A lot of people go for a genre, which is fine if you can do that really well, but we all have such layered histories. We all come from a unique background. Write about your past, write about you. Or make stuff up, but make it about something that really matters.
I've turned down a lot of stuff. I've read several scripts and said "That's not me, I'm not interested in doing that." It's got to be something that inspires me and captures my imagination. I want to be able to say "There's a challenge.".
Half of my library are old books because I like seeing how people thought about their world at their time. So that I don't get bigheaded about something we just discovered and I can be humble about where we might go next. Because you can see who got stuff right and most of the people who got stuff wrong.
I've got all of the old school vinyls from the '70s - even further back, like the jazz music in the '40s, '50s, '60s. Then I've got all the '80s stuff underground, hip-hop when hip-hop really first started. The '90s stuff. All of the good stuff, because I'm really into music, and it helps me create new songs now.
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