A Quote by Guy Murchie

Sometimes I feel a strange exhilaration up here which seems to come from something beyond the mere stimulus of flying. It is a feeling of belonging to the sky, of owning and being owned - if only for a moment - by the air I breathe. It is akin to the well known claim of the swallow: each bird staking out his personal bug-strewn slice of heaven, his inviolate property of the blue.
Sometimes I feel a strange exhilaration up here which seems to come from something beyond the mere stimulus of flying.
God is not only to be known in His blessed and incomprehensible being, for this is something which is reserved for His saints in the age to come. He is also known from the grandeur and beauty of His creatures, from His providence which governs the world day by day, from His righteousness and from wonders which He shows to His saints in each generation.
A sombrero fell out of the sky and landed on the main street of town in front of the mayor, his cousin, and a person out of work. The day was scrubbed clean by the desert air. The sky was blue. It was the blue of human eyes, waiting for something to happen. There was no reason for a sombrero to fall out of the sky. No airplane or helicopter was passing overhead and it was not a religious holiday.
Nothing will ever equal that moment of exhilaration which filled my whole being when I felt myself flying away from the earth. It was not mere pleasure; it was perfect bliss.
In tonglen practice, when we see or feel suffering, we ?breathe in with the notion of completely feeling it, accepting it, and owning it. Then we breathe out, radiating compassion, lovingkindness, freshness - anything that encourages relaxation and openness.? So you're training in softening, rather than tightening, your heart. In this practice, it's not uncommon to find yourself blocked, because you come face to face with your own fear, resistance, or whatever your personal "stuckness" happens to be at that moment.
Each man lives for himself, uses his freedom to achieve his personal goals, and feels with his whole being that right now he can or cannot do such-and-such an action; but as soon as he does it, this action, committed at a certain moment in time, becomes irreversible, and makes itself the property of history, in which is has not a free but a predestined significance.
I'm not falling anymore. That's what L says, and she's right. I guess you could say I'm flying. We both are. And I'm pretty sure somewhere up there in the real blue sky and carpenter bee greatness, Amma's flying, too. We all are, depending on how you look at it. Flying or falling, it's up to us. Because the sky isn't really made of blue paint, and there aren't just two kinds of people in this world, the stupid and the stuck. We only think there are. Don't waste your time with either-with anything. It's not worth it.
There's no worse feeling than being in front of a guy with six-pack abs, muscles popping out of his shoulders, veins popping out of his arms, and you know he's swinging for the fences, in front of all your friends and family, and you can't breathe. You can't breathe no matter how much moves you know. You start to panic. You start to feel a drowning sensation. It's the worst feeling in the world.
There is silver blue, sky blue and thunder blue. Every colour holds within it a soul, which makes me happy or repels me, and which acts as a stimulus. To a person who has no art in him, colours are colours, tones tones...and that is all. All their consequences for the human spirit, which range between heaven to hell, just go unnoticed.
It's surely summer. for there's a swallow: Come one swallow, his mate will follow, The bird race quicken and wheel and thicken.
Sometimes since I've been in the garden I've looked up through the trees at the sky and I have had a strange feeling of being happy as if something was pushing and drawing in my chest and making me breathe fast. Magic is always pushing and drawing and making things out of nothing. Everything is made out of magic, leaves and trees, flowers and birds, badgers and foxes and squirrels and people. So it must be all around us. In this garden - in all the places.
What does it feel like to be infected?" "I-- I can't describe it." I force the words out. Can't breathe, can't breathe, can't breathe. His skin smells like smoke from a wood fire, like soap, like heaven. I imagine tasting his skin; I imagine biting his lips. "I want to know." His words are a whisper, barely audible. "I want to know with you.
There must be something beyond man in this world. Even on attaining to his highest possibilities, he is like a bird beating against his cage. There is something beyond, O deathless like a sea-shell, moaning for the bosom of the ocean to which you belong!
The great artist when he comes, uses everything that has been discovered or known about his art up to that point, being able to accept or reject in a time so short it seems that the knowledge was born with him, rather than that he takes instantly what it takes the ordinary man a lifetime to know, and then the great artist goes beyond what has been done or known and makes something of his own.
You must therefore zealously guard in his mind the curious assumption 'My time is my own'. Let him have the feeling that he starts each day as the lawful possessor of twenty-four hours. Let him feel as a grievous tax that portion of this property which he has to make over to him employers, and as a generous donation that further portion which h allows to religious duties. But what he must never be permitted to doubt is that the total from which these deductions have been made was, in some mysterious sense, his own personal birthright.
One can get a proper insight into the practice of flying only by actual flying experiments. . . . The manner in which we have to meet the irregularities of the wind, when soaring in the air, can only be learnt by being in the air itself. . . . The only way which leads us to a quick development in human flight is a systematic and energetic practice in actual flying experiments.
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