A Quote by Guy Murchie

I have noticed that music, like solid matter, is essentially crystalline in structure. — © Guy Murchie
I have noticed that music, like solid matter, is essentially crystalline in structure.
If you come from a solid family structure, it doesn't matter what you go through in your life. You're going to be okay.
As the number of people who work at Basecamp has grown, I've noticed places where we could use more features, like management, structure, and guidelines. I've also noticed places where we've overengineered ourselves and should pull back.
I believe from my many experiences that the spirit world is more real, more solid, than this earth in which we live. In truth, ours is a world of illusion. All that seems so solid is yet just a mass: molecules locked together, forming an impression of solid matter that in fact is not solid at all.
MTV essentially killed 'American Bandstand' and 'Solid Gold,' because music videos are an easier way for pop artists to gain television exposure.
Carbon dioxide is unusual because it doesn't go through the usual three phases of matter, from solid to liquid to gas, but it goes straight from solid to gas. The volume of the gas is much greater than the volume of the solid. When a solid turns into a gas, we say it sublimes. The process is sublimation.
(Game theory is) essentially a structural theory. It uncovers the logical structure of a great variety of conflict situations and describes this structure in mathematical terms. Sometimes the logical structure of a conflict situation admits rational decisions; sometimes it does not.
I thought of the structure as musical. The first piece, for instance, contains the names/subject matter of every person to come in the book. Like a piece of music with themes, etc.
You have countries like India that have tried to help untouchables, with essentially affirmative-action programs, but it hasn't fundamentally changed the structure of their societies.
Music can be thought of as a type of perceptual illusion in which our brain imposes structure and order on a sequence of sounds. Just how this structure leads us to experience emotional reactions is part of the mystery of music.
Oftentimes, when music is just blasting out it seems like it's overcompensating for something missing in the song's structure. When I think of the music that I listen to constantly, it's never like an assault.
A lot of people make music to sell music. I don't just sell music. I am essentially, I guess the word I want to use is, it's like an energetic transaction.
Matter as matter rather than matter as symbol is a conscious political position, essentially Marxist.
Taoist philosophy is essentially monistic. Matter and energy, Yang and Yin, heaven and earth, are conceived of as essentially one or as two coexistent poles of one indivisible whole.
The most solid stone in the structure is the lowest one in the foundation.
The vision shared by both [French utopian] Charles Fourier and Robert Owen was for an entire town to fit into one structure. Owen's design for what he called a "parallelogram" was essentially to have a whole city in one building, laid out around a huge quadrangle. Fourier's scheme was to build a massive Versailles-like structure that he called a "phalanstery." In both cases they had these architectural dreams that we now recognize as pretty unappealing.
I've been making films with almost no dialogue (laughs), so sound and music become a very powerful character to tell the story. It's almost like with sound and music and images, it's your tool to tell the story, especially when I decide to structure the film in a way that usually goes against the conventions of the three-act structure which most films are made out of.
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