A Quote by Guy Pearce
Working on a studio picture, I can't help but be aware of all the political stuff that's going on. I have to work to be able to survive, in a sense.
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This blacklisting is going to collapse because it is rotten, immoral and illegal. I am one day going to be working openly in the motion picture industry. When that day comes, I swear to you that I will never sign a term contract with any major studio. I will, proudly and by preference, do at least one picture a year for King Brothers, and I will try to make it the best picture that I have it in me to do
There's something special about working with picture and adding music to picture that really takes you to a whole new level. It's always the director's picture first, and I'm there to help tell the story.
I do think it's possible for me to go back to the studio, and for a lot of women filmmakers to be going back into studio filmmaking with a different sense of their own agency, and a different sense of the respect that they can command. When you asked the question about whether women want to be making big studio movies, the answer is almost always yes. It's just, how do they want to be treated? What is that experience going to be? And if you know the experience is gonna be shitty going into it, I personally am at a place where I'm not willing to punish myself any longer.
I am one day going to be working openly in the motion picture industry. When that day comes, I swear to you that I will never sign a term contract with any major studio
I am one day going to be working openly in the motion picture industry. When that day comes, I swear to you that I will never sign a term contract with any major studio.
The key to being able to let go of all the stuff you're holding on to is knowing that you'll be okay if you don't have it.
And that's the truth.
You can survive with very little. And though the passing of people and things can be painful, you will survive.
When you do a studio picture, all the paperwork and legal stuff is already taken care of!
Partnerships can be very big. The relationships you cultivate can help. If you put together a business plan that makes sense and that you can present to other people, they may be able to help you out, especially if you're short of cash. Angel investors, perhaps, may help. You may not have to go through a traditional bank. If you're not able to secure funding, you can get up under someone who has experience, learn from that person, and work your way up.
Liberalism, conservatism, that's irrelevant stuff to Trump. He looks at things in an entirely different way. This is a reason why we, as conservatives, have to remain vigilant as we can to the ideological component of what's going on here, because as it succeeds, we need to be able to tell people why it's working and at the same time be able to contrast and say why it didn't work when the liberals ran the show. This is an ongoing effort.
Our Creator has given us five senses to help us survive threats from the external world, and a sixth sense, our healing system, to help us survive internal threats.
I love going to work, doing acting. I love when I'm done with a movie or a TV show. I love hitting the road or being in the studio or going on tour. That's what I get off on. I don't need to have my business in the press and all that stuff. I'm pretty low key. It's all about the work for me.
If anyone gets in my way when I'm making a picture, I become irrational. I'm never sure what I am going to do, or sometimes even aware of what I do-only that I want that picture.
The studio is really fun because I don't make it into the studio unless I've got something I really like. I love working with different musicians in the studio; that's a real joy, working with someone for the first time.
It's great knowing going into the week that you have a guy like Peyton Manning that's going to throw you the ball. You know that during the week, he's working on different things that's going to help our offense, stuff that makes you get better.
I remember one day going in the studio to sing and then going to work with three separate songwriters before I came back in the studio. I was running on empty.
We shouldn't be afraid to fail - if we are not failing we are not pushing. 80% of the stuff in the studio is not going to work. If something is not good enough, stop doing it.
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