A Quote by Guy Pearce

The first thing I need to get sorted out before I can then move forward, before I can feel any confidence whatsoever, is the voice. — © Guy Pearce
The first thing I need to get sorted out before I can then move forward, before I can feel any confidence whatsoever, is the voice.
I'm a musician, and I'm fascinated with the effects of sound, and tone, and pitch and melody and all that sort of stuff. It's the first thing I have to solidify whenever...I get into a character. The first thing I need to get sorted out before I can then move forward, before I can feel any confidence whatsoever, is the voice.
If you were a boy and a girl and you were in love with each other, really, properly in love, and if you could show it, then the people who run Hailsham, they sorted it out for you. They sorted it out so you could have a few years together before you began your donations.
That's been my routine for years and years... Up early before everybody else, before I get connected, before I get bugged, before I have obligations. Get the writing done first, then be the person I want to be in other ways after that.
I generally enjoy the rehearsal process because that's where you can share your ideas, get your thoughts and feelings out and see whether or not they're going to land, whether or not people are going to agree with them, particularly the director. So you can sort out in that process any elements that need to be sorted out before you're on the set, and of course that saves time and it also makes everyone more comfortable working together.
I ought to pray before seeing any one. Often when I sleep long, or meet with others early, it is eleven or twelve o'clock before I begin secret prayer. I feel it is far better to begin with God-to see His face first, to get my soul near Him before it is near another.
We should embrace ourselves, and I think in any field if you need something to move forward, that is confidence and hard work.
Even though in principle we may "know better", we routinely succumb all the same to the incessant, often frantic and unexamined busyness of thinking we have to get somewhere else first before we can rest; thinking we need to get certain things done to feel we have accomplished something before we can be happy.
I felt like if I could get the epiphany out of the way in my drafting process, through my eighth or tenth draft, then that can just be part of how I've assembled the character, and then we can move on and move forward with it. In general, I don't ever want to feel smarter than my characters, because I just feel like that's not a great way to write a story.
A couple of weeks before the 1992 Houston Open, I was probably as low as I could get confidence-wise. I didn't think I was going to go any further, and then, out of nowhere, I won that week. That kind of got me going.
Whenever you need something from someone else before you can move forward, it's a dependency. We believe dependencies slow people down. We want people to be more independent, because that will keep them moving forward.
but it is also true, if this brings her any consolation, that if, before every action, we were to begin weighing up the consequences, thinking about them in earnest, first the immediate consequences, then the probably, then the possible, then the imaginable ones, we should never move beyond the point where our first thought brought us to a halt.
Listen to your conscience regarding something that you simply know you should do, then start small on it - make a promise and keep it. Then move forward and make a little larger promise and keep it. Eventually you'll discover that your sense of honor will become greater than your moods, and that will give you a level of confidence and excitement that you can move to other areas where you feel you need to make improvements or give service.
When some people get parts, they feel they can now relax, but for me it was always the opposite. Sometimes before I do a movie or before I act out a scene, I may not sleep well the night before. If I don't know what the scene is about, I might get all worked up.
We sit down before the picture in order to have something done to us, not that we may do things with it. The first demand any work of art makes upon us is surrender. Look. Listen. Receive. Get yourself out of the way (there is no good asking first whether the work before you deserves such a surrender, for until you have surrendered you cannot possibly find out.
I like to get on the court three hours before the game. That way, I can get out of everybody's way, and I can do what I need to do for me and get up the shots that I need and then be in the locker room and getting my stuff taken care of physically - if I need treatment or whatever may be.
I don't know if I'm more confident than ever before, because I definitely had confidence when I was starting out. Maybe I have less confidence now that I did then.
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