A Quote by Guy Pearce

On stage, you've got dialogue you've learned. You've got a paying audience. It couldn't be better, you know? — © Guy Pearce
On stage, you've got dialogue you've learned. You've got a paying audience. It couldn't be better, you know?
When you're on stage and you got a great audience, that makes the show that much better for the band.
When you're doing those operation scenes, you not only have to be on top of the dialogue and the rhythm of the dialogue and what's happening dramatically, but you've got to technically get the rhythm right, so that everything is fitting with the dialogue at the right time. And you're performing the operation to the audience that's watching it. Thackery has to present it, as well. In some ways, that's the most challenging.
Pittsburgh's definitely the city where I learned how to be on a stage, hold a microphone, and interact with an audience. It's where I got my chops as an entertainer and as a performer, so I'm grateful to the queer community there because they are active and vocal and they care about each other.
I got on stage and I went, "Oh wow. No stage fright." I couldn't do public speaking, and I couldn't play the piano in front of people, but I could act. I found that being on stage, I felt, "This is home." I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, "That is the conversation I want to have."
Somebody has to be on stage, and some people have to be in the audience. That's the only difference. Don't put any thought as to why you are on the stage or how you need to be 'better' than the people in the audience. You aren't better. You're simply the speaker.
When I was doing 'Britain's Got Talent,' I really enjoyed it, but I found it very difficult to be in the audience. I like to be on stage; I feel safer on stage because I'm in control.
But then, you know, I'm very happy, I've got to this stage in my life and I'm not dead. I haven't got married and divorced and done all that palimony business, you know all that mess.
A lot of people that I know are bugged with the idea that they have got to have an audience, or they have got to be liked. I think the more that you fall into that trap it makes your own life harder to come to terms with, because an audience appreciation is only going to be periodic at the best of times.
I learned how to be a learner. When you get in a job, the tendency is to say, 'I've got to know it. I've got to give direction to others. I'm in this job because I'm better and smarter.' I always took a different view, that the key was to identify the people who really knew and learn from them.
I know how to make it a great musical. I've got to. It's like I've got to see it on stage.
I did Vibe, and I felt old and paternal. I've got ties older than people in that audience. I had a talk with myself. I said, You've got to deal with this better.
It's hard 'coz you have got different time zones; you can't sleep and y'know, it's boring way for the show to happen, but you do off the stage. Y'know, onstage it's all better.
Kids audience is a brilliant audience. If you've got an audience of adults standing up and clapping, or you've got an audience of kids standing up and clapping, I know which one I'd choose.
It's challenging to open for someone: You've got to prep the audience, get them in the mood, and get their attention if they don't know you. You're going to show them what songs you've got. You've got to leave your mark.
I know three people who have got better after a brain tumour. I haven't heard of anyone who's got better from Alzheimer's.
I got to do the movie, and people who enjoyed 'The Birdcage' came out to see me on stage when I did 'Forum.' It introduced me to a whole new audience that wasn't familiar with my stage work.
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