A Quote by Guy Pearce
You work on things and you have such faith in them while you're making them that everything feels special - in a way.
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...only we don't call it 'ignorance', we call it 'faith'. What a horrible little word that is - faith - exuding as it does its fake aura of purity and virtue while fronting some of the ugliest ideas this planet has ever seen. Closing people's hearts when it should be opening them. Making them proud of things they should be ashamed of. And ashamed of things they should be proud of.
You want to give your children better than what you had and make them feel like they have everything. But I think there is also a lot of value in making them work for things and allowing them to see other places.
I love my kids, and the moments I have with them, and it's kind of weird, it's such an age old cliche, but the way that my sons, the way they make me feel when I look at them, the way they say things, no one else would probably react to them, but it's a special thing for me.
My approach to making music has always been making ideas and developing them. Sometimes I develop them all the way by myself. The other part of development is I will work with my friends who are just some of the best producers in the world, give them an idea.
When you do improv, you're everything. You're a performer, writer, and director, because you're moving the scene in the direction you want it to go, you're making it up as you go, and you're acting it. You're all of those things, so I always viewed myself that way. And with the films I've done, I've written on them, I've acted in some of them. And even ones I haven't acted in, I've acted them out just to be sure another actor can do them.
The facts [on immigration system ] aren't known because the media won't report on them. The politicians won't talk about them and the special interests spend a lot of money trying to cover them up because they are making an absolute fortune. That's the way it is.
Faith and daily life, faith and work-these are not separate things. They are one and the same. To think of them as separate-that faith is faith, and work is work-is theoretical faith. Based on the recognition that work and faith are one and the same, we should put one hundred percent of our energy into our jobs and one hundred percent into our faith, too. When we resolve to do this, we enter the path of victory in life. Faith means to show irrefutable proof of victory amid the realities of society and in our own daily lives.
There has to be an element of repetition for TV... You want people to be addicted to your show, and the way to get people addicted is not to give it to them once, but to give it to them a few times, until they get on board with it. It's just about finding that balance of the necessary repetition and making the things that are repetitive absolutely necessary while keeping everything else fresh.
Imagination has the creative task of making symbols, joining things together in such a way that they throw new light on each other and on everything around them. The imagination is a discovering faculty, a faculty for seeing relationships, for seeing meanings that are special and even quite new.
All the lessons are in nature. You look at the way rocks are formed - the wind and the water hitting them, shaping them, making them what they are. Things take time, you know?
Saving faith is the faith of God's elect; the special gift of God to them, wrought in them by his Spirit.
That's what it's all about - making art is making something live forever. Human beings especially - we can't hold on to them in any way. Painting and art is a way of holding onto things and making things go on through time.
The truth is our immigration system is worse than anybody ever realized. But the facts aren't known because the media won't report on them. The politicians won't talk about them and the special interests spend a lot of money trying to cover them up because they are making an absolute fortune. That's the way it is.
Being an actor, you know what it feels like to be directed, so when the chance comes for you to direct someone else, you know how to approach an actor without scaring them off, without making them clam up, without making them feel insecure, without getting them in their head.
You can put things in prose and understand them one way, and then there's understanding it by knowing how it feels. Things aren't real until you can feel that, until you can empathize with them. That's what protagonists do in books.
I start out making my paintings for me. I don't see it as a form of communication. Until, of course, after they are done and I want people to see them. And want them to be recognized. But while I am making them I just try to get lost in them. Kind of like it's a prayer.
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