A Quote by Guy Pearce

I tend to project my father figure onto any director that I'm working with, or mother, if I'm working with a female, or it can be confused. — © Guy Pearce
I tend to project my father figure onto any director that I'm working with, or mother, if I'm working with a female, or it can be confused.
Working with my mother is unlike working with any other director.
When I'm working on the scripts or working with the other actors or rehearsing with the director, and when the director is cutting the movie, and we've shot the scene, the director is not looking at the visual effects.
I guess confidence is the only thing that I take from project to project, but I'm always open to learning everybody's style - the director, the actor I'm working with.
It was tough for my family. My father was working; my mother was working. Sometimes I was alone at home after leaving school.
I just love working with actors, and I love working with writers, working with designers. I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn't matter. And the rooms I tend to be in are pretty democratic, and the best idea wins.
I never met a person as determined as my mother. From working hard for six kids to just trying to keep the household down or maintain my father's discipline, my dad, I'm so much like my father too. My father was so introverted, quiet, shy, nice. I got attributes from my father and mother.
If you ever see the director pulling people aside, that means something's not working. Because you're trying to figure out why it's not working. But we would show up, we would talk about it.
Working with a female director has great perks.
I feel better when I'm working. I tend to not know who I am when I'm not working. That worries me a little bit... I've been fortunate to be so busy, but I haven't developed any other skills.
Like any director working today, I started out when somebody took a shot at hiring me. It's how we all start out - male, female, white or minority.
My mother was a free-spirited clinical therapist, and I had the most hard-working father, a television lighting director by trade. My mum raised me to be a global citizen, with eyes open to sometimes harsh realities.
She became confused when she stepped onto an escalator that wasn't working.
[Working with survivors] it's just a whole different level of concern and that is something that was categorically different working on this film than any other project we had done.
In an industry still dominated by men, working with a female director on an episode written by a woman, helmed by a female showrunner, all while doing scenes with your screen sister is like getting to see the big five at the wild animal park. It's awesome.
I've always noticed a difference between working with a director and working with a writer/director. In how much they're invested and how specific they are.
I'm working on a project called Lemons, produced by Killer Films. The director has a great perspective on character development.
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