A Quote by Guy Pearce
A movie that gets a PG-13 rating can show someone running down a street killing 27 people. And there are no repercussions.
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We take the R-rating on a case by case basis when the story warrants it and necessitate that rating, and shouldn't be hemmed by the rules of PG or PG-13.
If you have anyone smoking pot in a movie it automatically, I think, knocks it up to maybe PG-13 movie rating and if there's a lot of it, even an R rating, even though chances are it is a legal activity in whatever place the film takes place.
The problem with 'Don't Be Afraid of the Dark' was that it was designed to be a PG-13 movie. It was literally a horror movie for a younger generation. I was trying to do the film equivalent of teenage, young adult readers, and when they gave it an R rating, the movie couldn't sustain an R.
'Warm Bodies' - I was contractually obligated to deliver a PG-13 movie. But, like, I wanted it to be PG-13 because it's for younger people, and I don't want them not to be able to see it. I mean, you have to kind of think about the marketplace as well.
'Pompeii' will be PG-13. I think it has to have a level of violence and death in it because you've got a volcano exploding. But it will be another PG-13 movie.
As anyone who has recently seen PG-13 movies knows, the level of violence in them has increased to the point of making the Motion Picture Association of America's voluntary rating system meaningless.
Side note to parents: Anyone who thinks 'Dude, Where's My Car' is more appropriate for children than 'American Pie' because it obtained a PG-13 rating needs to stop trusting the MPAA.
When we were growing up, some of those Amblin films, those Spielberg movies, led to the creation of the PG-13 rating because he was pushing it so dark and he upset a lot of parents. I liked that, though.
We knew that we wanted TheHunger Games to be PG-13 because she wrote the book for readers 12 and up, and we wanted them to be able to see the movie. It's a movie that is meant to be relevant to young people, and not exclude them, in any way.
What infuriates me is that in America violence is judged in context, whereas language is not. So with language there is an arithmetic that says: one f*** is a PG 13, two f***s is an R. They don't say: one bullet through one head is a PG 13, two bullets through more than two heads is an R.
PG-13' is kind of a scattered, almost movie soundtrack album, with elements of punk and metal and electronica.
It's unnatural for people to run around the city streets unless they are thieves or victims. It makes people nervous to see someone running. I know that when I see someone running on my street, my instincts tell me to let the dog go after him.
'The Story of Us' is about running into someone I had been in a relationship with at an awards show, and we were seated a few seats away from each other. I just wanted to say to him, 'Is this killing you? Because it's killing me.' But I didn't. Because I couldn't. Because we both had these silent shields up.
The only problem is I can't get into PG-13 Land. I just get stuck in R rated movies, which they would love us to make PG-13 movies but I never get there. But I think that you've got to make them different. You've got to switch them up.
When I was 13, I really used to skip down the street, happy in thinking, "Oh, well, someone's suffering pain in order for me to feel this pleasure."
Microsoft made a big deal about Windows NT getting a C2 security rating. They were much less forthcoming with the fact that this rating only applied if the computer was not attached to a network and had no network card, and had its floppy drive epoxied shut, and was running on a Compaq 386. Solaris's C2 rating was just as silly.
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