A Quote by Guy Sebastian
Initially I thought I'd get to Memphis and freak out, I thought I was going to feel so inadequate but I got there, and something grabbed hold of me and I just knew this was my arena.
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Xavier McDaniel made me respect him. I thought I could do anything I wanted to. He grabbed me one time and almost choked me out. He said, 'You're going to do this. You're going to go get coffee. You're going to go get doughnuts.' It's a game of respect.
I was in a restaurant, and it just struck me, something I'd never thought of before. And it's menus in the restaurant just hit me. I was ordering and I thought, "God, think of all the people who handle these meals day in and day out" and they, I mean you're going to a restaurant, you can be pretty - you can feel secure that they wash the silverware in the kitchen and the linens and all that stuff, but they don't wash their menus, who washes menus? Now, I've got to worry about that for the rest of my life.
A friend ... said, "You were healed by faith." "Oh, no," I said, "I was healed by Christ." What is the difference? There is a great difference. There came a time when even faith seemed to come between me and Jesus. I thought I should have to work up the faith, so I laboured to get the faith. At last I thought I had it; that if I put my whole weight upon it, it would hold. I said, when I thought I had got the faith, "Heal me." I was trusting in myself, in my own heart, in my own faith. I was asking the Lord to do something for me because of something in me, not because of something in Him.
We have signed with Artemis Records. Originally they were our distributor for 'Group Therapy'. My former manager (Chip Quigley) started a record label (Recon Records) and had Artemis Records as their distributor. Unfortunately, the way the label was run meant that it didn't turn out the way that we thought it was going to be. We simply got into something that was different to what we initially thought
Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
I've been in Philadelphia 10 years, man. I knew it was going to be a challenge, mentally. I always thought life would come to an end if I ever left Philadelphia. And I feel like a newborn. Being in Denver it's just a better situation for me. And I'm just happy that I feel like I got an opportunity where I can win basketball games here.
It was, he thought, the difference between being dragged into the arena to face a battle to the death and walking into the arena with your head held high. Some people, perhaps, would say that there was little to choose between the two ways, but Dumbledore knew - and so do I, thought Harry, with a rush of fierce pride, and so did my parents - that there was all the difference in the world.
I get advice from all the producers who have come out of Memphis. They just give me advice on the business side, because that's most important besides the actual music. Just staying at a point I know I can't mess myself up. I just got to be put up on game about it. Drumma Boy and Memphis Track Boy taught me a lot.
I definitely thought the first book was going to be a one-off. I never thought I'd even write a book, not ever having aspired to be a writer. It's something that never occurred to me - a bit like it never occurred to me to play guitar when I was young. I just thought it was out of my league.
I never really grasped how big it was when I initially got 'Alexander'; I thought, 'Ooh, this is exciting,' but after I got home, I looked back and thought, 'That was an incredible experience.' I got to work with some massive names in Hollywood, and I learnt so much, and then it really kind of struck me how life-changing it was.
I never really thought that I was going to get out of coaching ever. In my fifth year, I thought I might get out. You have those thoughts in any job. But I never really, really thought I was going to get out.
I know that I'm inadequate, but I never thought that at seventeen. I thought I was doing the best I could. I thought I was being idealistic.
I initially decided to speak about my anorexia and bulimia, partly out of a selfish motivation. I felt I had been scrutinised for my weight and thought, 'At least judge and criticise me on the facts.' There was a freedom with that. Now it's out there, and I just get on with life. I'm at peace with things.
When I first got my ring name as Carmella, I knew I was just going to do whatever I could to create this over-ridiculous, over-the-top character that would just help me get my face, and I don't even know what I'm trying to say, but just get me out there and just show, like, 'OK, wow, we need to pay attention to this girl because she has something.'
For a while, I couldn't get arrested in television because everybody thought of me as that guy on 'Trapper John.' So I thought, 'Great, I'll come out here to New York and do some theater, and when they get tired of me, I'll do something else.'
I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)
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