A Quote by Guy Sebastian
I'd love to be able to take a 8-months off on the coast somewhere, like some of my musician friends, and create an album but instead I have to create what I do in the midst of chaos.
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What a gift of grace to be able to take the chaos from within and from it create some semblance of order.
My art is not limited to the songs I create but also to the reaction it creates. I like to sit back and look at the whole thing as if it's a tornado that I'm controlling. It's creating chaos. When you create chaos, ideas are turned upside down, and everybody looks at things in a different way.
I create music; I create painting; I create whatever I want to create. I create, what you say, clothes. I create, I don't know, dance move. I create anything.
My ambition is we want artists to be able to afford to create the music they want to create, and if it takes them five years to sit down and make the album they want to make, they should be able to afford that. That's my goal.
Add to this cruelly delicate organism the overpowering necessity to create, create, create - so that without the creating of music or poetry or books or buildings or something of meaning, his very breath is cut off from him. He must create, must pour out creation. By some strange, unknown, inward urgency he is not really alive unless he is creating.
People create from different places. Some love to create from a tortured place, some from a joyful place. And when I feel like I'm a 5-year-old kid in my backyard playing pretend, that's when I'm happiest.
I think, it's so difficult to create a buzz anywhere, whether it be online, the streets, radio, anywhere, that if you are able to create a buzz somewhere, it definitely means something.
There are people who like to work in chaos, and some people work better under that, and create that sort of chaos, but that makes a set not necessarily very fun. I like to work on sets that don't have that.
The thing about Marvel is that they're not - they're into real acting. They're looking for artists that are willing to take chances and are willing to create characters. Even if that character has been around for years and years in comic books, they still are depending on us to create something and take it somewhere else.
I think it's unrealistic to believe that somewhere in outer space two big rocks crashed together with a bang and now I have a wonderful family, freedom, and opportunity." We're gathered here with love and fellowship and friends. You can bang rocks together all you want; you cannot create what we have here. Maybe God can create life from big bangs, but rocks can't.
My friends would certainly call me out if I didn't say that I like to create a bit of chaos and stir things up in my own life.
A friend of mine who writes history books said to me that he thought that the two creatures most to be pitied were the spider and the novelist - their lives hanging by a thread spun out of their own guts. But in some ways I think writers of fiction are the creatures most to be envied, because who else besides the spider is allowed to take that fragile thread and weave it into a pattern? What a gift of grace to be able to take the chaos from within and from it to create some semblance of order.
I think a lot of electronic musicians are drawn to starting with texture because the whole reason we're working with electronics is to try to create new sounds or sounds that cannot be created acoustically. When you're doing that, it's nice to be able to just create a different palette for every single song. I feel like a lot of electronic music sounds like...Each album sounds like a compilation more than it does a band.
The linchpin is an individual who can walk into chaos and create order, someone who can invent, connect, create, and make things happen. Every worthwhile institution has indispensable people who make differences like these.
Our third album, 'Grown.' On that album, some of us had the opportunity to have hands-on experience into songwriting and production. The project itself taught the members how to create an album ourselves while grabbing guidance from the producers we worked with.
I fell in love with New York. I moved here 25 years ago in 1984 after I lived in Paris for six years. In the 1980s, it was the place to be. Here I was able to create NARS, which I would not have been able to create if I stayed in France.
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