A Quote by Gwen Stefani

It's interesting to watch where music is going next. Isn't it always rotating? It is so weird how disposable pop music is, even mine. It just goes by so fast. — © Gwen Stefani
It's interesting to watch where music is going next. Isn't it always rotating? It is so weird how disposable pop music is, even mine. It just goes by so fast.
Call it whatever you want, whether it's hip-hop or cult music or pop music, but to me, it's all pretty disposable. I don't think that the music of Nikki Minaj or Justin Beiber is going to be played on the radio twenty-five years from now.
I just think that pop music is very interesting in how it can reach so many people. I like that I can tell stories and I just wanted to be heard more, I guess. That's why it's pop, but in my mind I don't really view my music as pop, I don't really view it as anything. I just look at it as a picture, I like visuals.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
I have always loved David Bowie. When he began to experiment with pop music in the 80's, I really thought there was a really fascinating reverence for it. A lot of people looked at pop music as just idiot music, or dance music, and with this he was giving it a lot of respect.
My roots in electronic music go from weird glitch music to now what's seen as pop music. Electronic music is pop music now.
I was always into pop music, Destiny's Child, songs with catchy music. Even when I was writing when I was younger, it wasn't all about expressing myself; it was just about making fun music.
I feel like in pop music and even indie music, there's this weird thing where women have been pitted against each other.
I've never believed that pop music is escapist trash. There's always a darkness in it, even amidst great pop music.
I listen to zero pop music, which is really weird from someone who makes pop music.
When I became a 'rock musician,' I assumed pop music was easy to write and that interesting rock music, or alternative music, was hard. It was only later I realised that writing a pop song is the hardest thing musically.
I feel like kids that grew up in New York City or in L.A. were exposed to all these subcultures and subgenres, whereas I was only exposed to the poppiest of pop music so I never had this negative connotation towards pop music. That's not South African music having an effect on me, but just how international music was filtered through South Africa affected me. It gave me a not-negative connotation towards pop music growing up.
I think pop music was going through a phase where it was like pop but dance-hall or pop but R&B. But, no, I just want a pop song.
Pop music is the one genre that isn't a genre. If the kids like it, then that's what defines it as pop music. Pop music is just something new.
I think I gave indications early on that mine wasn't just going to be a commercial, er, career. If that were the case, then the first record would have been 10 versions of 'Loser.' I always thought it would be interesting if there was no such thing as gold and platinum records, or record deals, and people were just making music. What would the music sound like?
Prince turned experimental music into pop music. 'When Doves Cry,' the whole 'Purple Rain' soundtrack - he was inspired by the Cocteau Twins and new wave pop and brought it into R&B when he first started, and then it became this cool, next-level, kind of hard-to-digest music. Which is what I felt 'House of Balloons' was.
I think pop music, for me as a kid, I hated school and ran home to watch Britney Spears videos. I just felt like I could forget about the stuff I didn't like about my life and listen to pop music and escape.
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