I appreciate what others have done in the past especially for my genre, and my style of singing. And they sure put a footprint - you know, they got the foot in the door, but I'm going to put my foot straight through the door.
I think most video game movies have a problem, because they do try and have one foot in one door and another foot in a completely door.
A lot of actresses start out modeling because it's a great way to sort of get your foot in the door. That's all it is, though. They open the door, and you have to walk through it.
You've got to be all-in on this sport; you can't be one foot out the door.
Fortunately, now I've got myself in a position where things are about story and not money. In my earlier career, it was more about getting my foot in the door and to get enough money to live, to be perfectly honest.
I got into acting to get my foot in the door for film-making.
There's some sorta big bar-be-que goin' on here in turn three. There's smoke all over the track! Some fan's got a big one goin' on.
Anne Lamott’s priest friend Tom, how to get through: "Left foot, right foot, left foot, breathe," he said. "Right foot, left foot, right foot, breathe." Salon April 25, 2003
An actor entering through the door, you've got nothing. But if he enters through the window, you've got a situation.
For me, growing up, the downside of it was that as a kid you don't want to stand out. You don't want to have a famous father let alone get a job because of your famous father, you know? But I'm a product of nepotism. That's how I got my foot in the door, through my dad.
When I left WWE, I had surgery on my foot. I had drop foot, where my foot was totally paralyzed. I had a tendon transfer and got nine screws in my foot.
Son. Everyone dies alone. That's what it is. It's a door. It's one person wide. When you go through it, you do it alone. But it doesn't mean you've got to be alone before you go through the door. And believe me, you aren't alone on the other side.
I started out on an apprenticeship in Hollywood working as an assistant to Hans Zimmer and another composer Klaus Badelt. That's how I got my foot in the door.
Through my life, [there have been] a lot of devils and a lot of situations, so I'm just goin' hard, maintaining, regardless of what people got to say about Ace Hood.
Sometimes you don't get in through the front door. Sometimes you don't get in through the back. Sometimes you got to climb through the window. That doesn't mean the opportunity wasn't there. There's a way; you've just got to find it.
If I can't make it through one door, I'll go through another door- or i'll make a door. Something terrific will come no matter how dark the present.