A Quote by Gwenno

t.A.T.u. did a Russian version of 'All The Things She Said' and it was even better than the English version! — © Gwenno
t.A.T.u. did a Russian version of 'All The Things She Said' and it was even better than the English version!
I didn’t and don’t want to be a ‘feminine’ version or a diluted version or a special version or a subsidiary version or an ancillary version, or an adapted version of the heroes I admire. I want to be the heroes themselves.
I think that if you are sticking to the text, essentially, you're not trying to write your own version of it. I mean, of course, it is your own version of it. And every translator would probably have a different version. But I think that that's what keeps the writers from being individual in English. They may be my English, but I don't think that Ferrante sounds like Levi.
A good story isn't the one that shuts everyone down and sort of leaves them in silent awe. A good story is one that, even before you finish the anecdote, you can see their eyes shining because it has so resonated with something from their own lives that everyone in the group has a version of the same story and they cannot wait to tell it, and that they're going to compete to make their version even more extreme than your version. So your version is just a seed.
My first restoration was on 'Napoleon,' trying to put the French version in with the English version, and it was most unsatisfactory.
My first restoration was on Napoleon, trying to put the French version in with the English version, and it was most unsatisfactory.
I feel like I'm a much better person when I'm developing my imagination and my innocence and my vulnerability. I like that version of me better than the version where I'm just working on my analytical mind.
I always really curious to see how people interpret things. I know my version, and I'm kind of bored with my version so I want to see their version.
You travel the world, you go see different things. I like to see Shakespeare plays, so I'll go - I mean, even if it's in a different language. I don't care, I just like Shakespeare, you know. I've seen Othello and Hamlet and Merchant of Venice over the years, and some versions are better than others. Way better. It's like hearing a bad version of a song. But then somewhere else, somebody has a great version.
When I was very young, I was already a fabulador. I loved to give my own version of stories that everybody already knew. When I got out of a movie with my sisters, I retold them the whole story. In general they liked my version better than the one they had seen.
Jim Morrison's very good looking, but I don't like this version of the song. The Feliciano version is better.
I've never been that uncomfortable talking about it. Things come out [in the media] about me. When it's out, it's someone else's version of what's the matter with me. I want it to be my version of what it is. My recourse is to do my version.
The Dreamcast version of 'Half-Life' is great - it looks better than the original PC version and it's the only way console owners can enjoy 'Half-Life: Blue Shift.'
When I was approached for the Kannada version of the film, the makers said it would be their version of 'The Dirty Picture,' based on the life of Silk Smitha. So, I asked them for the exact story. But, I was shocked after hearing the complete story. It was neither like the Bollywood version, nor about the life of Silk Smitha.
I feel like writing a book there's always a version in your head that's an amazing version, but then you write the version that you can write.
The things had been made a half a dozen times from silent pictures through the '30s and '40s. In fact, I think there's a version in the '50s. And then, of course, Spielberg eventually did a version of The Lost World, but this [filming] was '91, I think. And we shot it in Zimbabwe.
Some of the best advice I was given was that me doing a bad version of me is better than me doing a good version of someone else.
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