A Quote by Gwyneth Paltrow

[When] you're dying laughing because your three-year-old made a fart joke, it doesn't matter what else is going on. That's real happiness. — © Gwyneth Paltrow
[When] you're dying laughing because your three-year-old made a fart joke, it doesn't matter what else is going on. That's real happiness.
Some days I feel like everyone in my world has plugged themselves into my kidney. I'm so tired. But when you're having dinner with your kids and your husband and someone says something funny or you're dying laughing because your three-year-old made a fart joke, it doesn't matter what else is going on. That's real happiess.
As long as you think of your real self as the person you are, then of course you're going to be fearful of death. But what is a person? A person is a pattern of behavior, of a larger awareness. You know, the two-year-old dies before the three-year-old shows up, the three-year-old dies before the teenager shows up.
Some of them relate to farts but they are not fart jokes. They would just be a fart in the joke but it's about something else.
Let every fart count as a peal of thunder for liberty. Let every fart remind the nation of how much it has let pass out of its control. It is a small gesture, but one that can be very effective - especially in a large crowd. So fart, and if you must, fart often. But always fart without apology. Fart for freedom, fart for liberty - and fart proudly.
I like to joke that I already married a 26-year-old and divorced a 29-year-old, so I wasn't going to do that again when I got remarried.
"Nasty Man" isn't a laughing matter, but you have to laugh anyway. The song, itself, becomes something of a laughing matter because we'd go crazy if we didn't keep laughing.
To gain your heart's desire you have to lose some part of your old life, your old self. To do that you have to have courage; without it, you can't make the leap. And if you don't make the leap you have only three choices: You can hate yourself for not taking the chance, you can hate the person from whom you've sacrificed your happiness, or you can hate the one who offered you happiness, and blame them for your lack of courage, convince yourself it wasn't real.
What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke is.
Dying is a matter of slapstick and pratfalls. The ageing process is not gradual or gentle. It rushes up, pushes you over and runs off laughing. No one should grow old who isn't ready to appear ridiculous.
Write whatever way you like. Fiction is made of words on a page; reality is made of something else. It doesn't matter how "real" your story is, or how "made up": what matters is its necessity.
But you're almost eighteen. You're old enough. Everyone else is doing it. And next year someone is going to say to someone else 'but you're only sixteen, everyone else is doing it' Or one day someone will tell your daughter that she's only thirteen and everyone else is doing it. I don't want to do it because everyone else is doing it.
I have an uncle I no longer talk to because of a joke I made about my grandmother, who is his mother. He's an 80-year-old man upset about a woman who died 15 years ago.
A German joke is no laughing matter.
I think my shows can draw an audience of 12 million because I ask, 'What can make a 7-year-old, a 17-year-old, a 30-year-old and a 77-year-old laugh?'
We must be able to deal with ridicule and scorn, which it always seems that Buddhists receive. But we feel that it doesn't matter. God's laughing at us; God's laughing at God. We can take a joke too. We're pretty funny.
I used to travel 200 days of the year. I had to calm it down because I have a 17-year-old daughter going on 30, and a 23-year-old son. I want to be around for them.
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