A Quote by Gwyneth Paltrow

I'm always interested in what's next or what is the new kind of thinking. — © Gwyneth Paltrow
I'm always interested in what's next or what is the new kind of thinking.
A lot of the time, when I'm choreographing, I'm not thinking about what movement look best next to the next movement - I'm actually thinking about what song and what sound sounds right next to the next thing. So kind of choreographing as if I'm always making a mix tape, so to speak.
But I certainly know a lot of people that existed at that level and are always kind of pining for more, always thinking that the next big break, the next opportunity, the big role are just around the corner of the next audition.
I've always been kind of picky because I've always been interested in lots of different things. I chose to take three years off and go to school, and that helped keep me sane. Hollywood can make you crazy, if all you're thinking about is your next job.
I'm always thinking ahead, and I'm always curious about what's happening next. I thrive on that kind of thinking, so I don't burn out.
In doing everything, from coming up with the ideas and putting them on paper till doing the final edits, you are always thinking the next three steps, you're always thinking what next, what next, what next?
I'm always thinking ahead, and I'm always curious about what's happening next. I thrive on that kind of thinking, so I don't burn out. And I think that's a sign - if you can't stop thinking about your job, in a positive way that energizes you, then you're probably where you're meant to be.
I'm interested in new worlds, new universes, new challenges. I always said the only reason to make a film is not for the result but for what you learn for the next one.
We're kinda always writing, so it's like we're always thinking about what's next, so that'd be a yes. We're always constantly wanting to get onto the next thing or the new thing.
I'm not always interested in Hollywood norms and boy-next-door kind of characters.
I am very interested in the human voice and how we use it, especially when we aren't thinking, like the kind of stuff Robert Ashley was interested in.
I find it inspiring and I always think when I'm working on something new, whether it's a new kind of character or a new kind of story or new kind of camera, it gets my creative wheels spinning.
I was always interested - I mean, it's kind of part of your job - I was always interested in the camera.
The best thing I ever bought will always be the next piece of musical equipment. I'm always interested in new techniques and there seems to be a never ending supply of great equipment to play, and to play with. My studio is a bit of a playroom.
Even with or without the show I'm always thinking of the next thing. If it's meant to be, it's meant to be. That's kind of been the story of my career.
What the soul is doing is kind of walking through the forms, and so our experience of thinking isn't normally this kind of pure intuitive insight that intellect gets, and that intellect must get right, because it's always identical to its objects, it's always the same as the forms that it's thinking about.
In many ways, I went through a lot of my adult life thinking about, "What's next? What's next? What's next?," and always having my eye on tomorrow as opposed to what's happening at this moment. That experience forces you to really focus on the moment.
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