A Quote by Gwyneth Paltrow

I first had a version of this at a Japanese monastery during a silent retreat-don't ask, it's a long story. — © Gwyneth Paltrow
I first had a version of this at a Japanese monastery during a silent retreat-don't ask, it's a long story.
A good story isn't the one that shuts everyone down and sort of leaves them in silent awe. A good story is one that, even before you finish the anecdote, you can see their eyes shining because it has so resonated with something from their own lives that everyone in the group has a version of the same story and they cannot wait to tell it, and that they're going to compete to make their version even more extreme than your version. So your version is just a seed.
I had wanted to make this film [Suffragette] for over a decade. There has never been a cinematic rendition of this story. I had not been taught any of the history of the movement at school, and the version I had gleaned had been the Mary Poppins story of women in large hats, petitioning. There was another version.
The best time to tell your story is when you have to tell your story. When it's not really a choice. But then, when you get that first, messy, complicated version down, you have to read it over and be very tough on yourself and ask, 'Well what's the story here?' If you're lucky enough to have someone you trust looking over your shoulder, he or she can help you if [you] lack perspective on your own story.
First of all, I had the desire for that format [silent movie], and then when I was talking to people, I felt that people needed justification. Why are you doing a silent movie? Is it just for your own pleasure? I felt it was not enough for them so I realized I have to choose the subject that will make things easier for them and to tell the story of a silent actor makes sense for doing a silent movie.
I think all of us in the pursuit of more perfect version of the truth and the story need to reckon with what we bring to the story, and I think that I'm confronting that in a very real way everyday. I'm extremely proud of who I am and it's nice to see it celebrated, but if someone were to ask me to list in order the biography, you know journalist comes first.
Australian troops had, at Milne Bay, inflicted on the Japanese their first undoubted defeat on land. Some of us may forget that, of all the allies, it was the Australians who first broke the invincibility of the Japanese army.
The 'Story of Silent Night', which was given to me one Christmas when I was six - it was the story of a down and out composer who had no ideas left, and it was Christmas, and he came up with the hymn 'Silent Night.'
We had that first Marvel NOW! retreat where everybody came in and pitched their new books, which was probably the most exciting retreat I've ever been to because it was all brand new.
I remember doing 'The Long Fall of One-Eleven Heavy,' and I'd been reporting that story for a long time; I had a lot of good facts, but I had no story. I didn't know what the story was.
The Japanese position was hopeless even before the first atomic bomb fell because the Japanese had lost control of their own air.
It's always a long goddamn story. Every time you ask anyone anything really important, it's a long story.
The things had been made a half a dozen times from silent pictures through the '30s and '40s. In fact, I think there's a version in the '50s. And then, of course, Spielberg eventually did a version of The Lost World, but this [filming] was '91, I think. And we shot it in Zimbabwe.
Running is just such a monastery- a retreat, a place to commune with God and yourself, a place for psychological and spiritual renewal.
I'm a first-generation American. My parents are from Nigeria. I had this weird last name that looked Japanese, and then people would see me and go, 'Oh. You're not Japanese.'
I long for, not a writer's retreat - I can write in any situation - but a reader's retreat.
Let love lead your soul. Make it a place to retire to, a kind of monastery cave, a retreat for the deepest core of your being.
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