A Quote by Gwyneth Paltrow
I find the English amazing how they got over 7/7. There were no multiple memorials with people sobbing as they would have been in America. There, they are constantly scaring people, but at the same time, people think nothing of going to see a therapist.
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Nothing will turn you into a Civil War buff like five years of reading. Some of the letters that people wrote from that time are so deep and so beautifully articulate. And you realize, especially with the stuff that's going on now in America, that it's always been chaos - people were disagreeing at least as much as they are now and 20,000 people would die in a day. It's the scale that's amazing, and also the proximity to our own time.
Barack Obama was amazing, but he wasn't perfect. We all know that. He was the closest thing to perfect America's ever had. We were basking in the glow. We forgot that there's always going to be a backlash within a movement every time. When I think about race, there were a lot of pockets of people that were still living in fear under the Obama administration, but we were in this blissful celebration mode. Now we are constantly reminded that, although there are lots of good people in the world, there are just as many horrible people.
Television is just amazing - how many people see it and how many people recognize you, and I think once you've had the opportunity and have been in front of the public, it's very flattering to have people come up and say hello to you. It's a tremendous industry. I've been in places where people come out of the woodwork. And you would never think - small towns in France or traveling through Europe - and there are so many of those people there that recognize you, and you've been in their homes. I find it to be a very flattering thing.
It's good to have it over with. I worked on it a long time, and I didn't know what people were going to think of it. Would people like it? Would they buy it? So far it's been doing pretty well.
One thing that the American people I think know about President Trump is that he's the boss. And over time, people are going to see that he's the guy that's going to deliver to the American people, putting America first and making the future better for everyone across the country.
I wish the American media would take a great look at the views of the people in Congress and find out, are they pro-America or anti-America? I think people would be - would love to see an expose like that.
I didn't think I'd be a good therapist. I didn't think I could do both at the same time. Maybe some people can, but I wanted a bigger spotlight and I don't think that's right for clients to have a therapist who wants that kind of life.
I was hesitant to approach people. I'm socially awkward. But I was working on a number of memorials, and finally it dawned on me: These are memorials to people who wrote, so I should use their writing. That's how I started to quit.
Many people see my early work simply as portraits of black and brown people. Really, it's an investigation of how we see those people and how they have been perceived over time.
I think people would like to see Kurt Angle and myself get in there and perform with one another. I think he's an amazing athlete, a talented wrestler, and it's a match people probably don't think that they're going to see.
I wrote an op-ed piece in The New York Times about the amazing effect of shared wonder - how I have an audience filled with people who you'd think would hate each other, people from every religious category, all at the same show at the same time. And it's an amazing phenomenon to watch this shared sense of wonder, where these people who really don't like each other - for good and bad reasons, reasons that make sense and that don't make sense - are in the same room, experiencing this unification.
There have been times in my adolescence where I gave up. I was like, 'I'm just never going to be pretty. I'm never going to be like one of those people on the front of magazines.' It always seemed really strange to me that the projection of how people are in advertisements looked nothing like the people who were actually buying them. You know what I mean? I never understood that mismatch, and now I really start to see that the people you see in the media are a lot more like people actually are.
I had said that Le Guin's worlds were real because her people were so real, and he said yes, but the people were so real because they were the people the worlds would have produced. If you put Ged to grow up on Anarres or Shevek in Earthsea, they would be the same people, the backgrounds made the people, which of course you see all the time in mainstream fiction, but it's rare in SF.
The comics of course, help the movies, because all of the comic fans want to see the movies. And the most amazing thing about it is these movies seem to appeal to young people, to old people, and to people all over the world. They're as popular in China and Latin America as they are here. That's really amazing and gratifying.
It was curious to think that the sky was the same for everybody, in Eurasia or Eastasia as well as here. And the people under the sky were also very much the same--everywhere, all over the world, hundreds or thousands of millions of people just like this, people ignorant of one another's existence, held apart by walls of hatred and lies, and yet almost exactly the same--people who had never learned to think but were storing up in their hearts and bellies and muscles the power that would one day overturn the world.
I remember when I made 'A Scanner Darkly,' going, 'I hope people see it in theater - but I think it's going to be seen in someone's room at two in the morning.' It's that kind of movie. And I would have loved if it had been available on multiple formats at the moment it opened.
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