A Quote by Gwyneth Paltrow

My playground was the theatre. I'd sit and watch my mother pretend for a living. As a young girl, that's pretty seductive. — © Gwyneth Paltrow
My playground was the theatre. I'd sit and watch my mother pretend for a living. As a young girl, that's pretty seductive.
I sit on my duff, smoke cigarettes and watch TV. I'm not exactly a poster girl for healthy living.
Youth is terrible: it is a stage trod by children in buskins and a variety of costumes mouthing speeches they've memorized and fanatically believe but only half understand. And history is terrible because it so often ends up a playground for the immature; a playground for the young Nero, a playground for the young Bonaparte, a playground for the easily roused mobs of children whose simulated passions and simplistic poses suddenly metamorphose into a catastrophically real reality.
Free countries are great, because you can actually sit in somebody else's space for a while and pretend you're a part of it. You can sit in the Plaza Hotel and you don't even have to live there. You can just sit and watch the people go by.
Theatre is a playground. It really is, and we should use that playground more.
I don't feel sorry for myself, because I'm living my dream. Even when I was a little boy I used to stand in the playground and pretend I was on 'Opportunity Knocks.'
Some girls sit around and watch 'Gossip Girl' together. Me and my girlfriends watch 'Raw' and 'SmackDown.'
As a kid, you obviously dream of being a professional footballer. I would watch players like Ronaldo of Brazil and pretend to be him in the playground. But I don't think about trying to become one of the best in the world or anything like that. I just play football.
When I auditioned for Tim Robbins for 'Cradle Will Rock,' the young girl who read with me was very young, and I said to Tim, 'I'm sorry, but I don't have enough imagination to pretend this girl is my husband!' And he said, 'Well, I'll read it with you.' Which was very nice; he was the director. And I ended up getting the part.
I wouldn't just come home from school and watch TV everyday, they had me involved in lots of local theatre. I was a very dramatic, talkative child. And that was part of my mother's creative solution - to put me in workshops and classes and children's theatre programmes.
I grew up a poor kid in Florida, and I was always in Florida living with my stepfather and my mother, and we used to, every year, sit down and watch 'The Wizard of Oz.' And I think to this day that's probably the foundation for everything I've done since.
When you're a stay-at-home mother you have to pretend it's really boring, but it's not. It's enriching and fulfilling, and an amazing experience. And then when you're a working mother you have to pretend that you feel guilty all day long.
I pretty much got into theatre to do community theatre and things, but then I went to Williamstown and found an agent. I then went to New York and did a lot of theatre there, so I started doing only theatre.
I think that the wonderful advantage we have in the film of being able to cast a girl as young as Emmy and which we couldn't do in the theatre of course because no girl of 16 or 17 could sing 8 shows a week, couldn't sing two.
The best conversation with Stanley Kubrick is a silent one: you sit in a theatre and watch his films and you learn so much.
Pretend all you want, pretty girl. You and I know that deep down you’re secretly glad to be pressed up to my body.
When youre a stay-at-home mother you have to pretend its really boring, but its not. Its enriching and fulfilling, and an amazing experience. And then when youre a working mother you have to pretend that you feel guilty all day long.
This site uses cookies to ensure you get the best experience. More info...
Got it!