A Quote by Gwyneth Paltrow
I put on the fat suit and went outside and walked around. I was really nervous about being found out, but nobody would even make eye contact with me. It really upset me.
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I can act with either eye, but you've got to be twice as good as an actor to act with one eye. You need to put all your emotions just through one eye and really punch it out of that eye. I found it quite difficult to do at first, and then I found a technique that allowed me to act with one eye, which I patented.
First time I walked out on the Opry stage, Vince Gill was there. He kind of 'daddied' me through the whole thing. My knees were knocking. I walked out there, and I was literally shaking. They say it's the spirits or the ghosts. And out of respect for that whole establishment, I was really really nervous.
For some reason, they always gave me a fat suit in high-school productions. If there was a character who needed to be robust, they gave me a fat suit, and I put on a silly voice.
Really it's all about what's inside the Superman suit. How you feel about yourself when you put that on because it's very revealing and very imposing if worn with confidence, I suppose. The first time I wore it, I didn't have that as much. I hadn't really trained any, yet. I hadn't read the script, I hadn't really worked on the character at that point. And I was standing around with a room full of costume designers and everybody was judging me right away and going, "Don't make your judgment on it, if this is Superman quite yet or not," because I hadn't done all the work that I would later do.
Even though I'm a believer, I still find it really hard to be around other believers. They make me nervous, they make me twitch. I sorta watch my back.
What really fueled me, and maybe infuriated me, is that nobody believed in me. Nobody. I don't even think I believe in myself. Part of what I was trying to do was to make the decision to go into business and find the guts to see it through. I was told that when I went in to see the bankers that I was supposed to be very muted, that I was supposed to blend in, that I was supposed to have the typical drab suit on.
I used the Internet to keep really close contact with my fans. I think that one thing I brought over the ocean with me was the connection with my fans. They went through the process with me. They're very supportive of me, but I was nervous about that. I didn't want to make it seem like I was abandoning them.
What really amazed me was when I sent a suit out for cleaning, forgetting that $700 was in the pocket. They sent the suit back to me. If that happened in New York, both money and suit would be gone.
We were in the middle of a sandbar in the middle of the ocean with no one around, and still someone was following me from New York, and was hiding in some bushes like a mile away with a long lens, so he still got pictures. It was really an eye opener to how you really have to be careful about being followed everywhere. I was trying to go to the most remote place in the world, I was out on a sandbar in the middle of the ocean, and they still found me. It was definitely a very new experience.
It was important for me to have other outlets outside of 'Basketball Wives' to represent myself and who I really am and what I really would like to put out there.
Back in the day, I used to get really upset when people used to say that I didn't really make all my own things - like my art or my videos or whatever. I work really hard on everything, so it used to upset me when people would try to discredit me or say that I wouldn't have what I had without this person or that person.
My dressing room was right on the water, and I would climb out of my window and walk around on the roof, whenever I needed time to think, or whenever I couldn't get a scene together. My father even came out there on the roof with me. We just walked around and talked up there, just to get away from everything, and nobody could get to us there. I really do love that place very much. It holds a very deep-rooted place in my heart.
I remember when I was a dancer and I had to do this performance and I was really nervous about it, and I happened at that moment to go see 'Flashdance.' I mean, it's silly, but I walked out of that movie going 'what a feeling!' I walked out with confidence.
He asked why and I said, 'Because Gwyneth has a fat suit, my wife has a fat suit - I don't get a fat suit?' He looked at me and said, 'You mean you don't have one on?'
Paul McCartney chit-chats with you, he makes eye contact with you, he seems really interested in what you're saying. He really puts everyone else at ease and makes them feel good so they're not nervous, which I think is really cool.
A very tall man once asked a question after my talk. Before beginning his question, he explained that the reason he was standing up is not to be intimidating but rather to make eye contact. His question was essentially "are we really interested in moral motives? Isn't it all about action?". I pointed out to him that it was not enough for him to do the right thing - stand up - but he also wanted me to know that he is doing it from the right motive or for the right reason - to make eye contact, rather than to be intimidating. Voila, moral psychology.
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